Sunday, 25 July 2021
Directed by John M. Chu
Written by Lin-Manuel Miranda, Quiara Hudes
Produced by Lin-Manuel Miranda, Quiara Hudes, Scott Sanders
Starring Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera
Studio Warner Bros
Running time 143 minutes
We've seen this story before. An artist hits the big time and generates a renewed interest in their older works (see: Dan Brown and the Da Vinci Code). Lin Manuel Miranda is one of the hottest names in show business today following the runaway success of Broadway musical Hamilton, a star that has only continued to rise with his subsequent work, notably his work with Disney that has earned him his first Academy Award nomination. But he can only produce so much new work in a given year, so it is natural that the studios would dive into his older projects in the hopes that they can rise his name to the bank.
In the Heights is one of Lin Manuel's first works, his very first stage musical and a Tony and Grammy award winning production. Its adaptation to cinema may have been accelerated by Lin's recent superstardom, but as a successful and well-regarded piece of theatre in its own right it was always likely to be on the cards at some point. While the script is credited to the stage play's original writers Lin Manuel and Quiara Hudes, directorial duties have been handed to John M Chu, hitherto best known for 2018's surprise hit Crazy Rich Asians.
As with so many first works, In the Heights is a loosely autobiographical work based on Lin's years living in the predominantly Dominican Washington Heights neighbourhood in New York. There's nothing revolutionary in the story here: you've got a love story or two, young people trying to "make it" and break out of poverty, and an ultimately heart warming message about the importance of family and good people. It's a serviceable but familiar story, with many classic tropes from the overbearing father to the irreverent childhood friend and the local "neighbourhood mom".
It's a similar story with the music. Lin Manuel is currently one of the world's most sough after songwriters, but in this early work you can tell that he is not yet the finished article. The songs here draw on culturally appropriate influences, predominately rap and salsa, but lack the musical diversity and creative genre subversions of Lin's later work. The lyrics display hints of Lin's typical wit and charm and occasionally strike gold, but rarely shock or surprise in the same way as his later writing. That is not to say that it's bad. This is a good musical with some very solid songs, albeit ones that are quite simplistic by their songwriter's standards. Even after a few re-listens of the soundtrack I struggle to recall many of the songs until a few bars in. Compare that to the opening of Hamilton, where right from the first notes you know exactly what you're listening to. Ultimately, these are fine, catchy songs, but lack the distinctiveness that makes Lin's more famous songs so memorable.
Where In the Heights does succeed is in the filmmaking department, and John M Chu will have done his own rising stardom no harm here. There is great vibrancy in every scene with a vivid colour palette, playful special effects and striking imagery throughout. Some of the dance in particular setpieces are very memorable.
In the Heights is a good adaptation of a pretty good musical. While it may not be revolutionary in any respect, it contains all the joy and energy one could want from a summer musical blockbuster. If you want a bit of musical fun in the sun this summer, then this will scratch that itch and could well be a factor in this year's awards season. In the longterm, however, this is unlikely to leave much of a legacy and will serve mainly as fascinating snapshot of a budding songwriter who would go on to be one of the greats.
Monday, 12 July 2021
Genre Mashup
Label N/A; Independent
Producers White Panda
White Panda is a name that will be very familiar to partygoers of a certain age group. The Los Angeles-based duo were part of the pop-mash up trend of the late 2000s that saw the rise of artists such as Girl Talk, Danger Mouse and Norwegian Recycling. That trend has died down somewhat in recent years (at least with respect to mainstream releases), with Girl Talk not having released an album since 2010, and White Panda since 2015. So Nightcub marks something of a comeback as well as a throwback to a style of music that was at one point all the rage.
There was always something a bit more underground about White Panda compared to some of their peers, with albums tending to be shared over social media and via bootlegs rather than through more traditional channels. Indeed, Spotify won't even carry the new album due to copyright issues with the samples. So it seems fitting that for their return to the scene, the group have turned to crowdfunding and word of mouth to get their work out there, going so far as to encourage backers to share the tracks over YouTube, social media and any other means available.
Those backers won't be disappointed either. Nightcub is everything a fan of the genre could ask for, an extremely solid party album that will have you grinning from ear to ear throughout. However, for newcomers and those unimpressed by the nostalgia factor, this might come across as a bit too "safe" of a record.
The production is slick and high quality throughout, but never feels like it is trying to push the boundaries of the genre. As much fun as it is, a good chunk of the album's hour-long run time amounts to little more than 1) find two songs that sound kind of cool together, 2) match tempo, 3) let her rip. And that's fine, it works, it sounds good. It sounds like a night out at the club with a good DJ. But compare that with some of the high points in the genre (albums like Girl Talk's Feed the Animals) which exhibit more intricate and creative methods of production: playing with pitch and tempo, breaking tracks down to their constituent parts and piecing them together in such a way that it almost sounds like a completely new piece of music. By contrast, Nightcub is more simplistic and only occasionally demonstrates that level of ambition or craft.
But while Nightcub may not quite reach the heights of the genre, there are moments where it comes close. Some of the combinations, like Britney Spears and Ozzy Osborne, are absolutely inspired. Nine Inch Nails with Ava Max? Who would ever have thought that one up? Some of the editing work, most notably for me on Third Eye Blind's Semi-Charmed Life is extremely well done and materially changes the mood of the original track. It's also great fun just to hear some more recent tracks given the mash up treatment. I never thought I'd be humming along to Kim Petras, but her mash up with Van Halen is fantastic.
It's a similar story when it comes to the variety of source material. Nightcub often plays it a little too safe, mixing songs that are overused or that we've heard prominently mashed up before (can we stop using that one Eminem track over and over?). But when it treads off the beaten track, Nightcub does deliver some quite shrewd and unexpected song choices (Tegan and Sara, a Smash Mouth song that thankfully isn't All Star).
Nightcub is an album that retreads old ground a little too often, is mostly brilliant when it doesn't, and ultimately is just great fun. This has been one of the musical standouts of my summer and I'm sure it will be for a lot of people.
Must Listen :
N/A; the entire album is one big mix
Thursday, 3 June 2021
There's something reassuringly normal about a football season where the craziest thing that happens is Chelsea becoming Champions of Europe. The world is reopening, fans are returning to games, Arsenal are midtable. Let's take the opportunity to enjoy this moment by taking stock with our traditional end of season awards.
There may not have been any fans at the grounds for much of the season, but the conclusion of a largely uninterrupted season of football will come as a welcome sign of normalcy. Indeed there is a reassuring familiarity in Manchester City once again romping their way to a well deserved, if highly predictable title. Despite their domestic success, however, it would prove to be another season of frustration as Pep Guardiola's boys once again missed out on the biggest prize in club football, losing the Champions League final to Chelsea in a shock result that may or may not have forced me to re-write significant portions of this post.
Last season's champions, Liverpool, slumped somewhat disappointingly off the pace of the last few seasons, ending trophiless and only just squeaking into the top four. Instead, runner up position was left to Manchester United. The red devils stuck with manager Ole Gunnar Solskjaer through a rough start to the season before a storming run of form took them to second, reminding us once again of the virtues of patience. In stark contrast, see Chelsea FC, who sacked arguably last season's manager of the year Frank Lampard at only the first indication of trouble, resulting predictably in a stuttering, inconsistent season that somehow inexplicably resulted in an unlikely Champions League win. If ever there was a club that thrives in chaos, it's Chelsea, and for better or worse it looks like this is going to be the game plan for the foreseeable future.
Of course, no discussion of poorly run football clubs would be complete without mentioning Arsenal. Moving swiftly on to more interesting clubs, Leicester City were nearly men once again, riding high in the top four for most of the season, only to once again drop out of Champions League qualification in just the final days. On the bright side, they have the FA Cup for consolation this time. It was a much happier story for West Ham United, who capped a very impressive season under a revitalised David Moyes with a return to European football.
Now without further ado it is time to move on to the Ephemeric end of season awards, followed by our carefully selected Premier League team of the year.
The Ephemeric Premier League Awards 2021:
Winners: Manchester City - A return to the Premier League's summit for Manchester City. Certainly, it is fair to say that their competition has not been up to the standard set in recent title challenges, but that shouldn't detract from a City side that ranks among the very best in world football today.
Relegated: Fulham, West Brom, Sheffield United - It was a disastrous season from Sheffield United, who proved unable to replicate last season's heroics and will face relegation. They are joined by Fulham who, despite major financial investment, just can't seem to find a winning formula at this level, as well as West Bromwich Albion.
Player of the Year: Harry Kane (Tottenham) - It might seem surprising not to award this prize to one of the title winners, but in my view there is only one choice. Harry Kane topped both the goals and assists table despite playing in a team that was bang average throughout. There is simply no more complete striker in the country, and few anywhere in the world right now.
U-21 Player of the Year: Mason Mount (Chelsea) - If last season was Mason Mount's breakthrough, this was the season where he truly arrived on the global stage. Doubts have persisted ever since Lampard promoted the Cobham academy product to the starting eleven of one of Europe's top clubs, but those doubts have surely been silenced following a year in which the 22 year old set the game alight with his creativity and industriousness. For a player so young, Mount already looks the complete package and can only get better.
Best Goalkeeper: Emi Martinez (Aston Villa) - Arsenal's loss is Aston Villa's gain. The Argentine goalkeeper has been in electric form at the back of an Aston Villa defence that vastly exceeded expectations. It's even more impressive when you look at the statistics: Martinez has the fourth best save % in Europe, the best PSxG (percentage of expected goals saved) in Europe, and the third highest number of clean sheets. Not bad for a goalkeeper playing behind a newly promoted defence.
Top Scorer: Harry Kane (Tottenham) (23) - This year's player of the season picks up his third Golden Boot. 23 might seem like a modest number of goals for the league's top scorer, but it gets even more impressive when you consider...
Most Assists: Harry Kane (Tottenham) (14) - ... that Harry Kane also topped the assists chart, a feat not achieved since Thierry Henry some twenty years ago. With a combined outlay of 37 goals produced for his team, there are few more complete and productive forwards in world football right now.
Overachievers: West Ham - At the beginning of this season few would have fancied West Ham for anything other than lower half of the table obscurity, particularly following the uninspired appointment of David Moyes, a man who had already had a previous (also uninspired) stint with the club. Well Moyes and West Ham have proven us wrong, resulting in a remarkable season which ended in European qualification, with a very real chance of breaking into the Champions League right up until the final days of the season.
Underachievers: Arsenal - The perennial underachievers of the Premier League, 2021 will surely mark a new low for Arsenal as they finish bang in midtable. Expectations had been high at the start of the season with the Arteta vibes going strong and the high from last season's (truthfully undeserved) FA Cup win. This season just reminds us that bad referees might help you out for one game, but they can't paper over the cracks for an entire season.
Manager of the Year: David Moyes (West Ham) - Credit where it is due, the job David Moyes has done with West Ham season has been remarkable. To be punching at the top of the table with the squad he has available, is very fine work indeed, reminiscent of the glory days of Moyes' Everton side.
Best signing of the season: Ruben Dias (Manchester City) - If there was one player other than Kane who might have claimed the title of this year's player of the season, it's Ruben Dias. Dias has been the core of Pep's formidable City side, running the league's most miserly defence like a general and forming a rock solid partnership with John Stones. A stellar debut season.
Worst signing of the season: Willian (Arsenal) - So much expectation when the two-time Premier League winner (with Chelsea) made the switch to the Emirates, and Willian's strong start to the season certainly bode well for the season to come. Sadly as the weeks rolled by Arsenal fans would eventually learn what Chelsea fans have known for years, consistency is not one of Willian's strengths.
The Ephemeric Premier League Team of the Season 2021:
So there we have it, another season of Premier League football gone by. We'll see you again next season!
Sunday, 9 May 2021
With everything else going on in the world, and indeed in the sport of football, it is easy to have overlooked that we are approaching a fairly significant anniversary. The coming year will mark one decade since the implementation of UEFA's Financial Fair Play rules, one of the most major and far reaching reforms in the history of the world's biggest sport. Ten years on seems like an appropriate time to look back and ask ourselves, has the regime worked? Was it truly a good idea in the first place? That is what we will be discussing today.
Let's begin with a quick recap for those who do not follow football as religiously as I do. Financial Fair Play (FFP) was a broad set of regulations implemented by European football's governing body, UEFA, ostensibly to protect football's solvency and hold back the encroaching influence of money on the game.
Admirable though these goals may sound, there were some voices at the time (this very blog included) that vociferously opposed the rules as written, and dismissed them as little more than a disingenuous power grab by football's ruling elite, masquerading as a populist and noble undertaking.
At the time, my (and others') objections were largely criticised. As a Chelsea fan, my views were often dismissed as being fuelled by football tribalism, seeing as the prevailing view at the time held that FFP was intended to restrict and punish clubs such as Chelsea. Of course, this is not and was never the case. In fact Chelsea, along with most of Europe's big clubs, have likely benefitted massively from the rules.
FFP's headline feature is a limitation on the net spend of football clubs. Subject to certain exemptions, football clubs can not spend more money than they raise in revenue. On the surface this is supposed to protect the solvency of clubs, preventing situations where a club spends recklessly and ends up going bankrupt when things don't work out as intended. Slightly below the surface, this is intended to stop wealthy oligarchs like Chelsea's Roman Abramovich from coming in and buying his way to the top of the game, and thus in theory protecting the sanctity of the game from the corrupting influence of money. But, as these past ten years have clearly shown, even further below the surface these rules are intended to do one thing only: enshrine a permanent elite of football clubs whose hegemony can not possibly be challenged by upstarts except in the most rare of circumstances.
The reasons for this seem pretty clear. In retrospect, it is surprising that it was not clear to so many others. By linking the spending limitation to a club's revenue, the rules clearly hand a massive institutional advantage to the game's wealthiest football clubs. How can, for example, Real Betis ever hope to challenge Real Madrid, when their spending is limited to a mere fraction of what the larger club is allowed to spend? The answer is that they can't. Even more damning is the "billionaire" loophole, which states that a club with a wealthy owner is allowed to expand the spending limit, so long as the owner takes on that extra spending personally. It's pretty clear who these rules were intended to benefit.
The idea of FFP was sold to the masses based on a fantasy where footballing success is not necessarily linked to wealth (paradoxically so, considering the proposed means to achieve this fantasy was by limiting spending), but in reality this is not so. Money is directly correlated to on-the-pitch success and always has been. Just ask Herbert Chapman's Arsenal of the 1920s and 1930s, Leeds in the 1970s, and countless others during the 1980s and 1990s global expansion of the game. The only thing that this limitation has achieved is making it practically impossible for any small, upstart club to compete at the same level as those already fortunate enough to sit at the summit of the game.
If there was any ambiguity left as to whom these rules were written to benefit, we need only look at how infringements of the rules have been handled over the past decade. FFP allows UEFA to hand out punishments ranging in severity from a fine to an outright ban from UEFA competitions. Full competition bans have been handed out to the likes of Malaga, Rapid Bucuresti, and Metalurh Donetsk, for infringements that amounted to a difference of tens of thousands of euros. By contrast, Manchester City and PSG both made headlines in recent years for blowing well past their spending limits and attempting to cover it up with above-market "sweetheart" deals with their own private companies (essentially an illegal owner cash injection disguised as a legitimate sponsorship arrangement). The magnitude of these infringements was in the hundreds of millions of euros. Their punishment? A fine and a slap on the wrist. Ask yourself why there is this disparate treatment.
In retrospect, it's actually a little spooky just how accurate my piece from a decade ago proved to be. I warned that FFP, and the institutional advantages it afforded the elite clubs, would kill competitiveness in European football. Accordingly, the decade since has seen three of Europe's biggest leagues, the Italian Serie A, French Ligue 1 and the German Bundesliga, turn effectively into one-club leagues.
The difference before and after FFP really is shocking. The previous decade saw 5 different Italian champions, 6 French champions, and 5 German champions. The decade following FFP has seen just one club (Juventus and PSG) win 9 out of 10 seasons in Italy and France and one club win 8 out of 10 (Bayern Munich) in Germany.
The other major prediction from this piece was the revitalisation of German football. The FFP rules were written in such a way as to confer a clear preference to the German economic model of football and I predicted that this lack of restriction would allow the Bundesliga, and Bayern Munich in particular, to really break into that top level of European super clubs. Even aside from their domestic domination, the results speak for themselves. Bayern Munich have reached the Champions League final on four occasions in the past ten years, having only reached it twice in the previous three decades.
The bottom line from all of this is that FFP was never about making football fair, or equal. It was never about what was best for the fans or the communities. It was simply UEFA picking and choosing its preferred clubs and giving them a massive advantage. Why do this? It's obvious. The big clubs are UEFA's money makers. When they do well, UEFA does well. By protecting their elite status, UEFA ensures that a) the game's power-brokers are happy, and b) the money train keeps rolling.
The fact is that FFP, even in theory, was always a bad way to achieve its stated goals. A football club, like any other business, needs to be able to spend and take on risk in order to grow. All those elite football clubs? They already did that, years or even decades ago. If it backfires and the club goes into financial difficulty? So be it, the club takes that risk at their peril and the more conservative institutions are free not to do so. There is nothing wrong with allowing a club to take that risk, in fact that is the basis for our entire economy. If businesses were not allowed to engage in debt spending, no one would ever be able to succeed without the financial backing of a more established company, the result would be the mega-corporations of the world monopolising industry. Right now we are seeing the equivalent of this in the football world. Football's elite pulled up the ladder behind them and received a full backing from UEFA to do so, under the pretence that it was all being done to help "the little guy".
It is an especially appropriate time to be discussing this in the wake of the recent European Super League scandal, in which twelve clubs attempted to form a breakaway league with the express purpose of enshrining their permanent elite status and killing off any legitimate form of competition. This essentially would do what FFP has already been doing for years now, albeit in a more explicit and risk-free fashion. If this piece accomplishes anything, I would hope that it is a reminder that UEFA are no better than these clubs.
The Super League was met with global condemnation and protest, imploding spectacularly over night. Where was this outrage a decade ago with FFP? I blame a naive set of football supporters who had not yet learned of the abject corruption in football's global authorities, as would become spectacularly clear in the years following. But more than that I blame a media who, at the time, was obsessed with portraying the upstart nouveau-riches clubs of Chelsea and Manchester City as the villains in the game, while turning a blind eye to the monopolistic practices of the elite clubs.
I can forgive people ten years ago for not wanting to believe the worst about UEFA and FFP. But now, ten years later and with abundant confirmation of these facts, it is time for us to accept the reality of what has happened in the game and speak out about it. Let's use this anniversary as an opportunity to admit our mistakes and right this wrong. The defeat of the Super League shows how much power the fans have, we need to keep this momentum going and challenge all the other institutions that prevent the beautiful game from taking place on a fair and equal playing field.
Sunday, 25 April 2021
Welcome back to The Ephemeric. It's that time of year again where this blog astounds you with its super accurate Oscar predictions. Ideally I would have liked to post this last week, but unfortunately it has been about four months since I have been able to get away from work. Instead, we will need to make do with what is a very last minute effort!
I'm busy, you're busy, I won't waste your time. Please find below predictions for the big night. You may not have seen the big films this year, or be familiar with the latest hype tearing through Hollywood; if so consider the following a crib sheet for what lies ahead tonight, and perhaps even a sneak peek at who might just be walking away with the big prize.
Best Picture
Nominations:
- The Father – Philippe Carcassonne, Jean-Louis Livi and David Parfitt
- Judas and the Black Messiah – Ryan Coogler, Charles D. King and Shaka King
- Mank – Ceán Chaffin, Eric Roth and Douglas Urbanski
- Minari – Christina Oh
- Nomadland – Mollye Asher, Dan Janvey, Frances McDormand, Peter Spears and Chloé Zhao
- Promising Young Woman – Ben Browning, Emerald Fennell, Ashley Fox and Josey McNamara
- Sound of Metal – Bert Hamelinick and Sacha Ben Harroche
- The Trial of the Chicago 7 – Stuart M. Besser and Marc Platt
Who should really win: The Trial of the Chicago 7
Best Director
Nominations:
- Thomas Vinterberg – Another Round
- David Fincher – Mank
- Lee Isaac Chung – Minari
- Chloé Zhao – Nomadland
- Emerald Fennell – Promising Young Woman
Who should really win: David Fincher – Mank
Best Actor
Nominations:
- Riz Ahmed – Sound of Metal as Ruben Stone
- Chadwick Boseman – Ma Rainey's Black Bottom as Levee Green
- Anthony Hopkins – The Father as Anthony
- Gary Oldman – Mank as Herman J. Mankiewicz
- Steven Yeun – Minari as Jacob Yi
Who should really win: Chadwick Boseman – Ma Rainey's Black Bottom as Levee Green
Best Actress
Nominations:
- Viola Davis – Ma Rainey's Black Bottom as Ma Rainey
- Andra Day – The United States vs. Billie Holiday as Billie Holiday
- Vanessa Kirby – Pieces of a Woman as Martha Weiss
- Frances McDormand – Nomadland as Fern
- Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas
Who should really win: Carey Mulligan – Promising Young Woman as Cassandra "Cassie" Thomas
Best Supporting Actor
Nominations:
- Sacha Baron Cohen – The Trial of the Chicago 7 as Abbie Hoffman
- Daniel Kaluuya – Judas and the Black Messiah as Fred Hampton
- Leslie Odom Jr. – One Night in Miami... as Sam Cooke
- Paul Raci – Sound of Metal as Joe
- Lakeith Stanfield – Judas and the Black Messiah as William "Bill" O'Neal
Who should really win: Leslie Odom Jr. – One Night in Miami... as Sam Cooke
Best Supporting Actress
Nominations:
- Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev
- Glenn Close – Hillbilly Elegy as Bonnie "Mamaw" Vance
- Olivia Colman – The Father as Anne
- Amanda Seyfried – Mank as Marion Davies
- Youn Yuh-jung – Minari as Soon-ja
Who should really win: Maria Bakalova – Borat Subsequent Moviefilm as Tutar Sagdiyev
Best Original Screenplay
Nominations:
- Judas and the Black Messiah – Screenplay by Will Berson and Shaka King; Story by Berson, King, Keith Lucas and Kenny Lucas
- Minari – Lee Isaac Chung
- Promising Young Woman – Emerald Fennell
- Sound of Metal – Screenplay by Abraham Marder and Darius Marder; Story by Derek Cianfrance and D. Marder
- The Trial of the Chicago 7 – Aaron Sorkin
Who should really win: The Trial of the Chicago 7 – Aaron Sorkin
Best Adapted Screenplay
Nominations:
- Borat Subsequent Moviefilm – Screenplay by Sacha Baron Cohen, Peter Baynham, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Erica Rivinoja and Dan Swimer; Story by Baron Cohen, Hines, Nina Pedrad and Swimer; Based on the character by Baron Cohen
- The Father – Christopher Hampton and Florian Zeller, based on the play by Zeller
- Nomadland – Chloé Zhao, based on the book by Jessica Bruder
- One Night in Miami... – Kemp Powers, based on his play
- The White Tiger – Ramin Bahrani, based on the novel by Aravind Adiga
Who should really win: One Night in Miami... – Kemp Powers, based on his play
So there you have it, The Ephemeric's picks for the year. Enjoy the Oscars this tonight, and when the results go as predicted, remember that you heard it here first!
Wednesday, 21 April 2021
There are decades where nothing happens and there are weeks where decades happen. Now we know that this dictum can apply to just 48 hours as well. On Monday morning, the world of football was dealt a seismic shock incomparable to anything seen in the past half century. Described by one insider as less a declaration of civil war than nuclear war. A situation so fraught that the Government has had to step in and get involved. It has been drama at an absolutely unprecedented level for organised sport. Yet just as quickly as it ignited, the entire furore appears to have exhausted itself and collapsed. The greedy bastards couldn't even give me enough time to write a blog post on the subject!
It was a two-day spell where the very future of the game appeared to be in genuine doubt. A declaration of independence by the world's elite football clubs. Battle-lines drawn between the establishment forces of FIFA, UEFA, the FA and the upstart armies of marketeers and lawyers powering world's most successful teams. What has been remarkable about this story is the breadth and passion of the backlash. I can't recall anything ever unifying so many people in single purpose. Fans of all stripes, neutrals, political oppositions, everyone has seemingly come together on this issue and vociferously condemned the involved parties. It has been as oddly inspiring as surprising. But what has caused this massive outcry and what does it mean?
The proposal itself was nothing new. There have been discussions of forming a potential European Super League since at least the 1990s, when live television revolutionised the sport both in terms of global popularity as well as financially. Yet when the twelve 'founder' clubs unilaterally declared their intentions this week, it still came as a shock. Most previous proposals for such a competition had been envisaged as a natural extension of the existing Champions League or, at it's most extreme, a new Premier League style division sat atop a newly unified European league pyramid. Yet this proposal was no mere evolution, but an entirely clean break from the game that billions around the world know and love. A completely independent competition governed by the clubs.
Why did they do this? Well, at the risk of sounding glib: money. Everyone wants to watch the big clubs, the Real Madrids, the AC Milans, the Manchester Uniteds of football. Not just the hardcore or local fans, but the casual fans. Crucially, the newer overseas fans in the American and Asian markets, who command such vast amounts of untapped revenue. European football is watched all over the world. It's a testament to the incredible power of branding. By creating a league with just the biggest brands in football, where every single match is Barcelona, Juventus, Liverpool, they leverage that branding power in a way that no other sporting competition possibly could. So far it doesn't sound so bad. Who doesn't want to watch the best teams on the planet play each other? Unfortunately, it is no hyperbole to say that the Super League proposal would completely de-legitimise the integrity of the sport, reducing it to little more than WWE superficiality.
Football has a lot of problems: corruption, financial bias. But despite those problems, it still remains a competition of merit. No matter how much money you have or how famous you are, you still need to win on the pitch, and the team that wins on the pitch is the best team. Ultimately there is no other metric than winning. But under this new Super League proposal, this would no longer be the case. Instead, clubs have been invited based on brand-power and granted semi-permanent 'elite' status. It has nothing to do with how good the team actually is, it is not earned. Currently in order to qualify for the elite Champions League, you need to win games and earn your place. But the Super League, as an example, will invite mid-table Arsenal ahead of literally half the Premier League that is currently ranked higher than them. It is laughable.
Even worse, the Super League does not feature a neutral system of relegation and promotion. The founding members of the Super League would not be relegated from this division, no matter how poorly they played, nor would other teams from around the world be able to challenge and surpass them unless specifically invited.
There are many other reasons why this is a terrible idea: the abolition of local rivalries and traditions, the damage to the grassroots and youth game, the lack of representation for countries that aren't England, Spain, Italy, Germany and France. Not to mention making attending away games prohibitively difficult and expensive for fans. But at its core, this is what the proposal is about. The big clubs want to create a competition with no real risk, where they can't lose no matter what. They don't care about the sport itself or the competitive aspect, so long as they can leverage their marketing power and make money. This is no longer a legitimate sport, but a circus.
But somewhere along the way, someone miscalculated badly. The elite clubs were certain that they held all the power, all the leverage. They felt the powers that be would never do anything to antagonise their main money-makers, and that any outrage among the local 'legacy' fans would be more than offset by the expanded television revenue. They were not prepared for the backlash that ensued.
First, UEFA and FIFA made clear that they would not take this lying down, threatening to expel all clubs involved from their competitions, and to ban all the players at those clubs from partaking in the World Cup. This step can't be overstated, and I suspect that ultimately this would have been the downfall of the Super League proposal had events been allowed to play out for longer. Ultimately, players still want to play in the World Cup. That means something to them. And if the players are not on board, the clubs will suddenly lose all that leverage. No amount of marketing can make people give a shit about watching a Barcelona team without its star players, especially once all those players jump ship to whichever nearby club was smart enough to remain in La Liga.
But at the end of it all, it came down to the fans. The massive, unprecedented outpouring of anger from football fans all over the world did not go unnoticed, and when more than one thousand Chelsea fans took to the street, in the midst of a global pandemic no less, to declare their views on the matter, the clubs listened. Chelsea FC became the first of the twelve founders to take a stand, followed by Manchester City. Now all six English clubs involved and followed suit, and without them the rest of the Super League will surely follow. The Super League is dead, football is saved. The fans saved it. Now everyone grab some popcorn to watch the unimaginable fallout that will rain down upon these people.
Sunday, 21 March 2021
Hello and welcome back to 2021's final post from the Hot List. This week we will be looking at the most exciting new movies set to hit the big screen in 2021 from April onwards, after the cutoff point for this year's awards season.
This is going to be an interesting year for film, to say the least. Eagle-eyed readers will no doubt recognise many of the entries on this year's most anticipated list as repeats from last year. One of the early impacts of global pandemic was the delay of many of the year's biggest cinema releases until 2021. As a result, this promises to be a uniquely overstuffed year for cinema, with not only the big 2021-scheduled films, but also many of those originally scheduled for 2020. Logically that should make this one of the finest years for cinema in recent memory, and the list this blog has come up with certainly speaks to that promise.
Equally noteworthy is the present streaming revolution that we are all witnessing. The closure of cinemas worldwide has forced studios to seek alternative methods of selling their products, and that has resulted in some truly landmark occurrences of new movies releasing simultaneously on streaming platforms (often for a premium fee). Is this just a temporary arrangement, or a sign of the future? In this writer's opinion, it's about time the industry modernised its approach for content delivery and one hopes that the success of these releases will encourage more of the same going forward.
So without further delay, the key films to keep an eye on in the coming year (trailers linked in the title where available), starting with number 15:
15. In the Heights
When it comes to films that will make a lot of money, In the Heights has got to rank up there as a sure thing. This is an adaptation of Lin Manuel Miranda's first Broadway stage musical, written some ten years before Hamilton.
This project has had something of a turbulent production history. Originally cancelled in the early 2010s, only be resurrected following the success of Hamilton by none other than Harvey Weinstein. Then all that happened, and this projected ended up over at Warner Bros.
In the Heights will be directed by Jon Chu, a man best known for the rather forgettable Step Up franchise of dance films, but who more recently has found his break in the world of serious filmmaking with the critically acclaimed Crazy Rich Asians. The former will stand him in good stead for directing a musical, while the latter showed him to have some genuine talent as a filmmaker. I think this is in good hands.
Release Date: 18 June, 2021
14. Last Night in Soho
Director Edgar Wright is a man whose reputation often appears to exceed that of his actual films. Wright has long been in the public's eye, having first made his name with Shaun of the Dead, going on to direct the likes of Hot Fuzz and Scott Pilgrim vs The World. Then Ant-Man happened, with Wright famously writing the script and being fired before completion. This ignominy proved to be little more than a minor setback, with 2017's Baby Driver marking something of a comeback, earning universal plaudits and commercial success.
9. Licorice Pizza (formerly Soggy Bottom)
Soggy Bottom is the latest darkly comedic dramedy from writer/director Paul Thomas Anderson (Magnolia, Boogie Nights, There Will Be Blood, The Master).
So without further delay, the key films to keep an eye on in the coming year (trailers linked in the title where available), starting with number 15:
15. In the Heights
When it comes to films that will make a lot of money, In the Heights has got to rank up there as a sure thing. This is an adaptation of Lin Manuel Miranda's first Broadway stage musical, written some ten years before Hamilton.This project has had something of a turbulent production history. Originally cancelled in the early 2010s, only be resurrected following the success of Hamilton by none other than Harvey Weinstein. Then all that happened, and this projected ended up over at Warner Bros.
In the Heights will be directed by Jon Chu, a man best known for the rather forgettable Step Up franchise of dance films, but who more recently has found his break in the world of serious filmmaking with the critically acclaimed Crazy Rich Asians. The former will stand him in good stead for directing a musical, while the latter showed him to have some genuine talent as a filmmaker. I think this is in good hands.
Release Date: 18 June, 2021
14. Last Night in Soho
Director Edgar Wright is a man whose reputation often appears to exceed that of his actual films. Wright has long been in the public's eye, having first made his name with Shaun of the Dead, going on to direct the likes of Hot Fuzz and Scott Pilgrim vs The World. Then Ant-Man happened, with Wright famously writing the script and being fired before completion. This ignominy proved to be little more than a minor setback, with 2017's Baby Driver marking something of a comeback, earning universal plaudits and commercial success.So there's a great deal of attention on his next project, Last Night in Soho. Billed as more of a straight-laced psychological horror than one might expect from Wright, this tells the story of a young fashion designer who mysteriously wakes up in 1960s London face to fact with her childhood idol, only to find that sinister goings are afoot. This stars Anya Taylor-Joy, most recently seen making waves with the hit miniseries The Queen's Gambit, alongside Matt Smith and Diana Rigg.
Initially billed for release last spring, a pandemic-induced delay will see Last Night in Soho finally release this April.
Release Date: 23 April, 2021
13. Tick Tick... Boom!
Back to Lin Manuel Miranda, then. Tick Tick... Boom! is an adaptation of the successful Jonathan Larson musical, and it represents Lin Manuel Miranda's directorial film debut. An exciting milestone for one of the entertainment industry's darlings makes this an event you won't want to miss.
Release Date: 23 April, 2021
13. Tick Tick... Boom!
Back to Lin Manuel Miranda, then. Tick Tick... Boom! is an adaptation of the successful Jonathan Larson musical, and it represents Lin Manuel Miranda's directorial film debut. An exciting milestone for one of the entertainment industry's darlings makes this an event you won't want to miss.If that is not tantalising enough, the screenplay has been penned by none other than Steven Levenson, the Tony award winning writer behind Broadway musical Dear Evan Hansen (more on that later). The cast includes Andrew Garfield and Vanessa Hudgens.
Still to be determined when this will hit cinemas/streaming, but filming wrapped last November so expect a release towards the end of the year.
Release Date: TBA 2021
12. West Side Story
If you're like me, your first thought here was probably "do we really need another adaptation of West Side Story?" And you would be right, but this is Steven Spielberg, and Spielberg doesn't make a film unless he has something worthwhile to say.
Spielberg is not the only legend on this project, with the screenplay penned by the Pulitzer Prize winning Tony Kushner, author of Angels in America and co-writer on Munich.
The presence of such luminaries makes a great opportunity for star Ansel Elgort (The Fault in Our Stars, Baby Driver) who has been threatening to break into Hollywood's A-list for some time. This could be the one that puts him into the stratosphere.
West Side Story will release this December, the thick of the awards season.
Release Date: 10 December, 2021
11. The Matrix 4
Call me crazy, but I'm looking forward to this one. We live in a world right now where no successful franchise is allowed to lie dormant. Star Trek, Star Wars, the Twilight Zone, the X-Files, Godzilla, King Kong, Sex and the City, Frasier, Buffy the Vampire Slayer (soon), Jurassic Park, Bill and Ted, Ace Ventura (apparently!), Planet of the Apes and Jumanji all represent old franchises that have made a sudden comeback in recent years, and I'm sure I'm even forgetting a few more. In a world oversaturated with media, people gravitate towards a familiar name. Franchises make money.
Release Date: TBA 2021
12. West Side Story
If you're like me, your first thought here was probably "do we really need another adaptation of West Side Story?" And you would be right, but this is Steven Spielberg, and Spielberg doesn't make a film unless he has something worthwhile to say.Spielberg is not the only legend on this project, with the screenplay penned by the Pulitzer Prize winning Tony Kushner, author of Angels in America and co-writer on Munich.
The presence of such luminaries makes a great opportunity for star Ansel Elgort (The Fault in Our Stars, Baby Driver) who has been threatening to break into Hollywood's A-list for some time. This could be the one that puts him into the stratosphere.
West Side Story will release this December, the thick of the awards season.
Release Date: 10 December, 2021
11. The Matrix 4
Call me crazy, but I'm looking forward to this one. We live in a world right now where no successful franchise is allowed to lie dormant. Star Trek, Star Wars, the Twilight Zone, the X-Files, Godzilla, King Kong, Sex and the City, Frasier, Buffy the Vampire Slayer (soon), Jurassic Park, Bill and Ted, Ace Ventura (apparently!), Planet of the Apes and Jumanji all represent old franchises that have made a sudden comeback in recent years, and I'm sure I'm even forgetting a few more. In a world oversaturated with media, people gravitate towards a familiar name. Franchises make money.So it's tempting to dismiss The Matrix 4 as simply a cash grab and, certainly, the sequels proved to be very divisive films. But the Matrix is still a landmark franchise with an iconic setting full of potential. An extended break followed by a return with fresh eyes and minds could be what the franchise needs to outlive its original trilogy. The Wachowskis return as directors, with Keanu Reeves and Carrie-Anne Moss tipped to reprise their original roles... which is interesting considering how the original trilogy ended.
Beyond this, little is currently known. The film is set to release this December.
Release Date: 22 December, 2021
10. Next Goal Wins
Taika Waititi is having something of a moment, the New Zealand filmmaker and actor has come a long way from indie comedy hits like Flight of the Conchords and What We Do in the Shadows to running the Thor franchise for Disney and, of course, his Oscar winning success with Jojo Rabbit.
His next film, Next Goal Wins, is based on the true story of Dutch football coach Thomas Rongen and his efforts to take the American-Samoa national team, then considered the worst in the world, to the 2014 World Cup.
Michael Fassbender stars as Rongen, and he will be joined by Elisabeth Moss, Armie Hammer, and long-time Waititi collaborator Rhys Darby.
Release date is still TBA.
Release Date: TBA 2021
Release Date: 22 December, 2021
10. Next Goal Wins
Taika Waititi is having something of a moment, the New Zealand filmmaker and actor has come a long way from indie comedy hits like Flight of the Conchords and What We Do in the Shadows to running the Thor franchise for Disney and, of course, his Oscar winning success with Jojo Rabbit.His next film, Next Goal Wins, is based on the true story of Dutch football coach Thomas Rongen and his efforts to take the American-Samoa national team, then considered the worst in the world, to the 2014 World Cup.
Michael Fassbender stars as Rongen, and he will be joined by Elisabeth Moss, Armie Hammer, and long-time Waititi collaborator Rhys Darby.
Release date is still TBA.
Release Date: TBA 2021
9. Licorice Pizza (formerly Soggy Bottom)
Soggy Bottom is the latest darkly comedic dramedy from writer/director Paul Thomas Anderson (Magnolia, Boogie Nights, There Will Be Blood, The Master).The unknown Cooper Hoffman stars, alongside Bradley Cooper, Benny Safdie and Alana Haim (of the rock band Haim fame) in this retro coming of age tale set in 1970s California.
Otherwise not a whole lot further is known. Filming is now said to be complete, having been initially set for a 2020 release before the pandemic hit. PTA's fims tend to do pretty well with the critics, and this one releases in the awards friendly month of September. Could be a dark horse for next year's Oscars.
Release Date: 10 September, 2021
8. Dear Evan Hansen
We're going all in on musicals this year, but don't worry this is the last one. Dear Evan Hansen is the adaptation of the hit Broadway musical, which won six Tony Awards.
Release Date: 10 September, 2021
8. Dear Evan Hansen
We're going all in on musicals this year, but don't worry this is the last one. Dear Evan Hansen is the adaptation of the hit Broadway musical, which won six Tony Awards. Penned by Steven Levenson, writer of the stage musical, with music by Benj Pasek and Justin Paul, who, aside from composing the stage musical, will also be familiar as the Oscar winning lyricists behind La La Land and The Greatest Showman.
Ben Platt reprises his Broadway role as the titular Evan Hansen, and is joined in the cast by Julianne Moore, Amy Adams, and Kaitlyn Dever.
Dear Evan Hansen will hit cinemas in September.
Release Date: 24 September, 2021
7. Dune
Dune, an epic sci-fi adventure franchise beloved by many, but with a troubled history when it comes to adaptations. The 1965 novel was notably made into a film in the 1980s, and a miniseries in the early 2000s, both of which met with a mixed reaction, owing to the complexity and ambition of the source material.
In 2020 a new adaptation is coming courtesy of Denis Villeneuve, an Oscar winning filmmaking with a burgeoning reputation following his work on Arrival, Blade Runner 2049, and Sicario. Villeneuve also co-writes the script along with Eric Roth (Munich, Forrest Gump, A Star is Born). Dune will star man of the moment Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, and Javier Bardem.
Release date is set for October, notably making its premiere on the new HBO Max streaming servie, quite the statement for such a blockbuster project.
Release Date: 1 October, 2021
6. Nightmare Alley
Nightmare Alley is the next picture from Guillermo del Toro, his first since winning the Oscar for Shape of Water. While that film may be far and away del Toro's greatest success, he has a long history of the bizarre and macabre from Pan's Labyrinth to Crimson Peak. While my expectation is that this will be more of the same, it is interesting to note how different the source material is from his usual fare.
The original novel follows a con-man and female psychiatrist who trick people into giving them money, but includes none of the supernatural elements that we might associate with a del Toro film. One can only hope that he maintains his characteristic directorial flair, even as he moves into more traditional genres.
The cast includes a lineup of strong performers, including Bradley Cooper, Cate Blanchett, Toni Collette, and Willem Dafoe. Release date is TBA.
Release Date: 3 December, 2021
5. Wendell and Wild
Release date is still very much up in the air, but I for one am very excited to see more of this man's unique vision come to the screen, and let's hope it leads to a long and fruitful relationship with Netflix.
Release Date: TBA 2021
4. Ghostbusters: Afterlife
It is finally happening. We are finally getting a real sequel to the classic Ghostbusters films of the 1980s. We can now officially pretend that awful Paul Feig reboot never happened, because we have a real sequel and it looks good. It's just a shame they couldn't make it happen before the death of Harold Ramis.
Ghostbusters: Afterlife will be directed by the son of original filmmaker Ivan Reitman, and acclaimed filmmaker in his own right, Jason Reitman (Juno, The Frontrunner, Up in the Air).
The film follows a new cast of characters, starring Paul Rudd, McKenna Grace, Finn Wolfhard (of Stranger Things fame), and Carrie Coon as a family who stumble across their deceased Grandfather's (presumably Ramis' Egon) old ghost catching materials, and presumably hell literally breaks loose.
Ghostbusters releases this November, and I am very, very excited about it.
Release Date: 11 November, 2021
3. The House of Gucci
This is an exciting one. The House of Gucci is the latest film of director Ridley Scott, about the murder of Maurizio Gucci and aftermath. Scott is joined by an all-star cast including Adam Driver, Lady Gaga, Al Pacino, Jared Leto, Jeremy Irons, and Jack Huston.
Release Date: 24 September, 2021
7. Dune
Dune, an epic sci-fi adventure franchise beloved by many, but with a troubled history when it comes to adaptations. The 1965 novel was notably made into a film in the 1980s, and a miniseries in the early 2000s, both of which met with a mixed reaction, owing to the complexity and ambition of the source material.In 2020 a new adaptation is coming courtesy of Denis Villeneuve, an Oscar winning filmmaking with a burgeoning reputation following his work on Arrival, Blade Runner 2049, and Sicario. Villeneuve also co-writes the script along with Eric Roth (Munich, Forrest Gump, A Star is Born). Dune will star man of the moment Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, and Javier Bardem.
Release date is set for October, notably making its premiere on the new HBO Max streaming servie, quite the statement for such a blockbuster project.
Release Date: 1 October, 2021
6. Nightmare Alley
Nightmare Alley is the next picture from Guillermo del Toro, his first since winning the Oscar for Shape of Water. While that film may be far and away del Toro's greatest success, he has a long history of the bizarre and macabre from Pan's Labyrinth to Crimson Peak. While my expectation is that this will be more of the same, it is interesting to note how different the source material is from his usual fare.The original novel follows a con-man and female psychiatrist who trick people into giving them money, but includes none of the supernatural elements that we might associate with a del Toro film. One can only hope that he maintains his characteristic directorial flair, even as he moves into more traditional genres.
The cast includes a lineup of strong performers, including Bradley Cooper, Cate Blanchett, Toni Collette, and Willem Dafoe. Release date is TBA.
Release Date: 3 December, 2021
5. Wendell and Wild
Pardon the sentiment, but it's about goddamn time. The Nightmare Before Christmas and Coraline are such beloved films, and yet for some inexplicable reason no studio ever seems to want to give their director Henry Selick work.
Well, Netflix finally seem to have seen the vast opportunity in embracing that fanbase and will produce his next feature film Wendell and Wild. Selick will be supported by Hollwood man of the moment Jordan Peele and Peele's long-time collaborator Keegan-Michael Key who will write and star in the film.
Release Date: TBA 2021
4. Ghostbusters: Afterlife
It is finally happening. We are finally getting a real sequel to the classic Ghostbusters films of the 1980s. We can now officially pretend that awful Paul Feig reboot never happened, because we have a real sequel and it looks good. It's just a shame they couldn't make it happen before the death of Harold Ramis.Ghostbusters: Afterlife will be directed by the son of original filmmaker Ivan Reitman, and acclaimed filmmaker in his own right, Jason Reitman (Juno, The Frontrunner, Up in the Air).
The film follows a new cast of characters, starring Paul Rudd, McKenna Grace, Finn Wolfhard (of Stranger Things fame), and Carrie Coon as a family who stumble across their deceased Grandfather's (presumably Ramis' Egon) old ghost catching materials, and presumably hell literally breaks loose.
Ghostbusters releases this November, and I am very, very excited about it.
Release Date: 11 November, 2021
3. The House of Gucci
This is an exciting one. The House of Gucci is the latest film of director Ridley Scott, about the murder of Maurizio Gucci and aftermath. Scott is joined by an all-star cast including Adam Driver, Lady Gaga, Al Pacino, Jared Leto, Jeremy Irons, and Jack Huston.This is one of those projects that has been kicking around for many years. First mooted for Scott some fifteen years ago. Subsequently the project bounced around a number of studios, with various casts and directors attached, before finally landing back with Universal and Scott in 2019. Now Scott finally has the opportunity to work on this long-gestating project, and it looks like it will be one of the big releases of this year.
The House of Gucci releases this November.
Release Date: 24 November, 2021
2. Don't Look Up
The latest biting political satire from writer/director Adam McKay, who has solidly proven his credentials in the genre following The Big Short and Vice, having won an Oscar for the former.
Release Date: 24 November, 2021
2. Don't Look Up
The latest biting political satire from writer/director Adam McKay, who has solidly proven his credentials in the genre following The Big Short and Vice, having won an Oscar for the former. Don't Look Up tells the story of two love level astronomers going on a media tour to try and warn the public of an incoming comet (I presume they mean meteor) that will destroy the planet.
True to form, this McKay film will feature a huge cast that includes Jennifer Lawrence, Cate Blanchett, Leonardo DiCaprio, Meryl Streep, Jonah Hill, Timothée Chalamet, Matthew Perry, Ariana Grande, Chris Evans and Himesh Patel among others.
Release date is TBA, but Netflix have confirmed that it is due out sometime in 2021.
Release Date: TBA 2021
1. The French Dispatch
And finally we have the new film of Wes Anderson. French Dispatch is a love letter to journalism, set in the outpost of an American newspaper in a fictional French town in the mid 20th Century.
The cast features a typically well-stocked lineup of big names, including Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothée Chalamet, Lea Seydoux, Christoph Waltz, Saoirse Ronan, and of course all the usual Wes Anderson collaborators such as Bill Murray, Owen Wilson, Jason Schwartzman, and many others.
Love him or hate him, a new film by Anderson is always worth seeing, for the style of filmmaking if nothing else. Anderson will be joined once again by long-time cinematographer and collaborator Robert Yeoman.
Release date is TBA.
Release Date: TBA 2021
So there you have it folks: The 2021 Hot List. Be kind, be positive. I have the feeling that this year will be the start of great things.
Release Date: TBA 2021
1. The French Dispatch
And finally we have the new film of Wes Anderson. French Dispatch is a love letter to journalism, set in the outpost of an American newspaper in a fictional French town in the mid 20th Century.The cast features a typically well-stocked lineup of big names, including Benicio del Toro, Adrien Brody, Tilda Swinton, Frances McDormand, Timothée Chalamet, Lea Seydoux, Christoph Waltz, Saoirse Ronan, and of course all the usual Wes Anderson collaborators such as Bill Murray, Owen Wilson, Jason Schwartzman, and many others.
Love him or hate him, a new film by Anderson is always worth seeing, for the style of filmmaking if nothing else. Anderson will be joined once again by long-time cinematographer and collaborator Robert Yeoman.
Release date is TBA.
Release Date: TBA 2021
So there you have it folks: The 2021 Hot List. Be kind, be positive. I have the feeling that this year will be the start of great things.
Sunday, 7 March 2021
Welcome back to The Ephemeric's 2021 Hot List. I hope you enjoyed our last entry covering the essential literature of 2021. This week we will be having a look at the most exciting new music due for release in the coming year.
I am sure I say this every year, but this has been a particularly difficult longlist to whittle down to the final 15. This year the reason is twofold: 1) with the ongoing global pandemic, a lot of creative minds have been stuck at home or in the studio when they might otherwise have been on tour, resulting in a large volume of new music in the works, and 2) with everything else going on, firm, reliable details as to what is coming out and when has been hard to come by, resulting in a great number of albums that are "maybe" coming out this year.
So as with every year I have done my best to come up with a list of the most exciting new music on the way and whittled it down to those that are most likely to actually happen during the next 12 months. The result is a list of 15 albums that represent an exciting blend of familiar names and new talents.
So without further ado, here is our list of the top albums to keep an eye on in 2021, starting with number 15:
15. Chvrches
First up: Chvrches, a Scottish synth pop band that has established themselves as one of the most exciting performers around today, with three critically acclaimed albums to their credit. Now a fourth, as yet untitled, album is on the way in 2021.
Little is known of their new album, although it is said to be heavily inspired by the classic bands of the 1980s. So expect this to be an album that doubles down on the wistful, synthy sound of its predecessors. The album itself? Expected sometime in the spring.
Release Date: Spring 2021
14. "Zoom In" by Ringo Starr
Little more needs to be said about Ringo Starr, the legendary drummer of The Beatles, turned successful songwriter in his own right. In 2021 he is expected to release a new record, Zoom In, recorded during lockdown in 2020.
So without further ado, here is our list of the top albums to keep an eye on in 2021, starting with number 15:
15. Chvrches
First up: Chvrches, a Scottish synth pop band that has established themselves as one of the most exciting performers around today, with three critically acclaimed albums to their credit. Now a fourth, as yet untitled, album is on the way in 2021.Since their debut and early EP work, the Scottish synth-pop band have shown a talent for crafting memorable hooks featuring innovative electronic genre combinations. Best seen with the likes of The Mother We Share, Never Ending Circles, and Graffiti.
Release Date: Spring 2021
14. "Zoom In" by Ringo Starr
Little more needs to be said about Ringo Starr, the legendary drummer of The Beatles, turned successful songwriter in his own right. In 2021 he is expected to release a new record, Zoom In, recorded during lockdown in 2020. While it is fair to say that his more recent output hasn't set the world alight, this is still a songwriter of consistent quality, and one who can attract the big names in terms of collaborators and producers. Zoom In will feature its own superstar collaborators in shape of Paul McCartney and Dave Grohl.
Zoom In releases this March, the first single Here's to the Night is out now. It's a bit schmoltzy, here's hoping the rest shows a bit more verve.
Release Date: March 2021
13. "Collapsed in Sunbeams" by Arlo Parks (New band)
The first of our newcomers: Arlo Parks. Hailing from south London, Parks has found herself featuring on many big in 2021 previews. A teenage prodigy and poet, Parks specialises in low-fi music that displays a control and lyrical nous that belies her tender years.
The key tracks from the scattering of EPs released to date include Cola and Paperbacks, two tracks that keenly demonstrate her characteristic tone that has been commonly described as "bedroom pop". Her newer releases Eugene and Caroline bode well for the full LP.
Parks' debut album, Collapsed in Sunbeams, was delayed from its initial 2020 release date due to the pandemic, but will now release early 2021.
Release Date: January 2021
Release Date: March 2021
13. "Collapsed in Sunbeams" by Arlo Parks (New band)
The first of our newcomers: Arlo Parks. Hailing from south London, Parks has found herself featuring on many big in 2021 previews. A teenage prodigy and poet, Parks specialises in low-fi music that displays a control and lyrical nous that belies her tender years.The key tracks from the scattering of EPs released to date include Cola and Paperbacks, two tracks that keenly demonstrate her characteristic tone that has been commonly described as "bedroom pop". Her newer releases Eugene and Caroline bode well for the full LP.
Parks' debut album, Collapsed in Sunbeams, was delayed from its initial 2020 release date due to the pandemic, but will now release early 2021.
Release Date: January 2021
12. Red Hot Chili Peppers
I do not think it would be controversial of me to say that the legendary California rockers Red Hit Chili Peppers have recently been punching somewhere below the peak of their heyday. But they are far from the spent force that some would suggest. There is a reason that the band has enjoyed the remarkable longevity of a nearly forty year career, during which time they have crafted an enviable discography of solid gold.As they approach studio album number 12, there is particular cause for excitement with the return of longtime guitarist John Frusciante, who had sat out the last two albums. For many, Frusciante's sound is key to the band's identity, and his return bodes well for what could be a major return to form.
The newest album is said to be in the late stages of production, with a release expected later this year.
Release Date: TBA 2021
11. Holly Humberstone (New band)
For 20 year old songwriter Holly Humberstone, 2020 was the year in which her star began its meteoric rise, with a smattering of singles and EPs earning praise and accolades all the way from the BBC to the New York Times. Sounding like a cross between Haim, Damien Rice and Radiohead, last spring's single Falling Asleep at the Wheel has been played tens of millions of times on Spotify and charted in the UK.
Now a debut studio album is in the works, expected for release sometime this spring. I expect Holly to be one of the more successful new artists of 2021.
Release Date: Spring 2021
10. "If I Could Make It Go Quiet" by Girl in Red (New band)
Another exciting new songwriter, but of a very different style. Girl in Red, the stage name for Norwegian singer Marie Ulven has been generating great hype over the past few years for her low-fi bedroom pop that touches on issues from LGBT issues to mental health and the gender divide.
Release Date: Spring 2021
10. "If I Could Make It Go Quiet" by Girl in Red (New band)
Another exciting new songwriter, but of a very different style. Girl in Red, the stage name for Norwegian singer Marie Ulven has been generating great hype over the past few years for her low-fi bedroom pop that touches on issues from LGBT issues to mental health and the gender divide. Her's is an introspective sound reminiscent of some of the best indie acts of recent years. There's a little bit of Yeah Yeah Yeahs in there as well as The Smiths. Her early work has been characterised by dreamy, introspective tracks such as We Fell in Love in October and Two Queens in a Kingsize Bed although some of the more recent songs like Rue have hinted at an increasing electronic influence.
First coming to this blog's attention in 2018 with the release of her first EP, a smattering of subsequent EPs and singles have drawn acclaim and coverage by the industry's great trendsetters. Now a debut studio album, If I Could Make It Go Quiet is due in April.
Release Date: April 2021
9. Arcade Fire
Two decades and four accolade and acclaim-ridden albums have established the Montreal-based Arcade Fire as one of the world's premier art rock performers. Their most recent album Everything Now marked arguably the first minor stumble of the band's career, receiving mixed reception for its relatively uninspired songwriting and re-tread of themes already well covered in previous work. Have Arcade Fire run out of creative juice? Their next album should answer that question.Quite what form this new album will take is still a mystery. Frontman Win Butler has said that he has two or three albums' worth of material written during lockdown, and the band is said to be in Texas right now working on the next LP. There's great reason to be excited about the prospect of new music from a band that has given us songs such as Rebellion (Lies), Wake Up, and Sprawl II.
I would expect to see this ready for release in the latter half of 2021.
Release Date: TBA 2021
8. "Music of the Spheres" by Coldplay
Album number nine is on the way from Coldplay and supposedly it will be their last (although they seem to say this with every album so take that with a pinch of salt). Little is known so far aside from the title, Music of the Spheres, and a collection of official artwork released via social media.
Release Date: TBA 2021
8. "Music of the Spheres" by Coldplay
Album number nine is on the way from Coldplay and supposedly it will be their last (although they seem to say this with every album so take that with a pinch of salt). Little is known so far aside from the title, Music of the Spheres, and a collection of official artwork released via social media. Coldplay are not a band who require introduction, having been one of the industry's biggest names over the past twenty years. For every person who will argue that they're past their best, you will find another who insists that they are better than ever. The truth is this is a band that has consistently put out good music.
If their sound seems mainstream or overly familiar, it is only because they created that mainstream. Coldplay's last album, Everyday Life showed that they still have the desire to innovate and experiment. I look forward to seeing what they come up with next.
Release Date: Summer 2021
7. "Come Over" by Kowloon (New band)
Kowloon is the California-based musician and filmmaker who over the past year has been putting out an irresistible lineup of chilled out indie pop, earning himself some buzz as an upcoming artist.
Release Date: Summer 2021
7. "Come Over" by Kowloon (New band)
Kowloon is the California-based musician and filmmaker who over the past year has been putting out an irresistible lineup of chilled out indie pop, earning himself some buzz as an upcoming artist.So far, he has put out a number of impressive tracks such as Walk With Me, Paradise and Wake Up, offering up a tantalising taste of what is to come from his debut album Come Over. Kowloon might just be the smooth dose of calm that we all desperately need right now.
Initially due out at the end of last year, Come Over is now expected to be out sometime this spring.
Release Date: Spring 2021
6. Jade Bird
A promising newcomer of years gone by, Jade Bird's debut album earned significant plaudits and spawned a number of charting singles.
Release Date: Spring 2021
6. Jade Bird
A promising newcomer of years gone by, Jade Bird's debut album earned significant plaudits and spawned a number of charting singles.Sounding like a cross between Janis Joplin and Alanis Morissette at her peak, Jade Bird's brand of no holds barred rock and roll provides a thoroughly fun slice of Americana, with great tracks like Lottery and Uh Huh to her credit.
A second album is in the works and due for release sometime in 2021. Based on an EP released at the end of 2020, it certainly doesn't seem like Jade Bird has lost any of her edge.
Release Date: Summer 2021
5. Kavinsky
Yet despite the success, there has been almost complete radio silence since that album's release in 2013. That appears to be finally changing, with Kavinsky posting to social media throughout 2019 and 2020 that new work was upcoming, before finally confirming at the tail-end of 2020 that a sophomore album was close to completion.
Release Date: Summer 2021
4. The Killers
Yes, you read that right. The Killers may have put out an album just a few short months ago, but they are allegedly already gearing up for LP number seven sometime in 2021. Frontman Brandon Flowers chalks this up to the lack of touring in 2020 and several months with nothing to do but record. Wembley Stadium's loss is our gain, I suppose.
These guys don't need any introduction, they're one of the world's biggest bands and have produced an array of hit songs from Mr. Brightside to All These Things I've Done, Read My Mind and Human. We know nothing about the new album aside from a tracklist that was posted to the artist's Instagram some weeks ago.
Last year's Imploding the Mirage marked something of a return to form for the band, a critical and commercial success with some memorable anthems for an otherwise dour year. The only reason this isn't higher up the list is that I have doubts as to how polished an album they can really put out in just a few months.
Release Date: Late 2021
3. Nilüfer Yanya
Nilüfer Yanya's 2019 debut album Miss Universe was among the year's best, met with widespread acclaim and accolades including a few Debbies on this very blog. She closed out 2020 with a new EP, a teaser for a second studio album, due for release some time in 2021.
Release Date: Summer 2021
5. Kavinsky
French house artist Kavinsky spent much of the 2000s developing his signature synthwave sound, inspired by the cinema and pop culture of the 1980s. That process culminated in his debut, and so far only studio album, OutRun.
An ambitious concept album, complete with its own mythology and distinct artwork. But it's the great singles we care about, including his most famous tracks Nightcall, and Odd Look. Indeed OutRun was so successful that it is considered among some internet subcultures to have created its own aesthetic genre, and is now an umbrella term used to describe any form of neo-futuristic 1980s revival.
Release Date: Summer 2021
4. The Killers
Yes, you read that right. The Killers may have put out an album just a few short months ago, but they are allegedly already gearing up for LP number seven sometime in 2021. Frontman Brandon Flowers chalks this up to the lack of touring in 2020 and several months with nothing to do but record. Wembley Stadium's loss is our gain, I suppose.These guys don't need any introduction, they're one of the world's biggest bands and have produced an array of hit songs from Mr. Brightside to All These Things I've Done, Read My Mind and Human. We know nothing about the new album aside from a tracklist that was posted to the artist's Instagram some weeks ago.
Last year's Imploding the Mirage marked something of a return to form for the band, a critical and commercial success with some memorable anthems for an otherwise dour year. The only reason this isn't higher up the list is that I have doubts as to how polished an album they can really put out in just a few months.
Release Date: Late 2021
3. Nilüfer Yanya
Nilüfer Yanya's 2019 debut album Miss Universe was among the year's best, met with widespread acclaim and accolades including a few Debbies on this very blog. She closed out 2020 with a new EP, a teaser for a second studio album, due for release some time in 2021.Suffice it to say, i'm excited for this one. Miss Universe was a remarkable demonstration of a songwriter with immense talent and the ability to shift between different genres and moods with aplomb. If the follow up can continue this fine run of form, it should make for one of 2021's most essential releases.
Yanya is said to be in the studio as we speak finishing this off, which suggests a release due sometime later on in 2021.
Release Date: TBA 2021
2. Aloboi (New band)
Our top ranked newcomer for 2021 is Aloboi, a Berlin-based composer with a knack for dreamy soundscapes and a juxtaposition of the old and new.
Release Date: TBA 2021
2. Aloboi (New band)
Our top ranked newcomer for 2021 is Aloboi, a Berlin-based composer with a knack for dreamy soundscapes and a juxtaposition of the old and new.Aloboi's work-to-date has been remarkable. From the retro chill out vibes of A Pleasing Smile, to the more danceable electronic stylings of Want To Love, the classical remix of Night Train (Claire de Lune), or the dazzling genre mash up of Somebody Feel, it's a very impressive array of work for a newcomer that is fast establishing Aloboi as one of the more exciting talents in the industry.
As we await a debut album, one gets the impression that there is a lot more to come from this artist, whether its in 2021 or beyond, Aloboi is definitely one to keep an eye on.
Release Date: TBA 2021
1. "As the Love Continues" by Mogwai
And finally, the most hotly anticipated album of 2021 is the latest from Scottish post-rock band Mogwai, As the Love Continues.
Release Date: TBA 2021
1. "As the Love Continues" by Mogwai
And finally, the most hotly anticipated album of 2021 is the latest from Scottish post-rock band Mogwai, As the Love Continues.Mogwai's career has been long and influential, yet even as they approach the end of their third decade they show no signs of slowing down. This latest album represents their fourth in the last decade, and the buzz so far is that it ranks among their best yet.
Lead single Ritchie Sacramento sets the mood for what promises to be a "big" sounding album, one that draws from three decades' worth of influences. As the Love Continues releases in February.
Release Date: February 2021
So there you have it folks: 2021 in music. Tune in next week for this year's final Hot List, where we look at the most exciting new movies in 2021 (and trust me, that one is going to be interesting)!
Release Date: February 2021
So there you have it folks: 2021 in music. Tune in next week for this year's final Hot List, where we look at the most exciting new movies in 2021 (and trust me, that one is going to be interesting)!
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