Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Sunday, 22 February 2026
Welcome back to The Ephemeric's 2026 Hot List. This week we will be having a look at the most exciting new music due for release in the coming year.

Music has a habit of sneaking up on you, soundtracking moments you didn’t know needed one, then refusing to let go. As always during this time of year, this blog presents for you, the reader, a curated burst of that energy. Whether you live and breathe new releases or just like something good in your ears on the commute, there’s plenty here to get stuck into. Music is inherently subjective, but as a place to kick off your 2026 listening journey, this is about as strong a primer as you’ll find.
So without further ado, here is our list of the top albums to keep an eye on in 2026, starting with number 15:
15. "Honora" by Flea (New band)

So without further ado, here is our list of the top albums to keep an eye on in 2026, starting with number 15:
15. "Honora" by Flea (New band)

I generally like to start these previews with a new band. Well this one is new... sort of. Honora marks the long-anticipated debut solo studio album from Flea, the iconic bassist of the Red Hot Chili Peppers.
Intriguingly departing from his rock roots, Flea returns to his first musical loves, jazz and the trumpet, composing and arranging the record while performing both bass and trumpet throughout. The album blends six originals with inspired interpretations of works by artists ranging from Frank Ocean to Jimmy Webb, and features notable collaborators including Thom Yorke and Nick Cave, with support from an ensemble of modern jazz visionaries. So far, while it is far from what one would have expected, it seems to be working, with early singles Thinkin Bout You and Traffic Lights genuinely delightful.
Named in tribute to a beloved family member and showcasing Flea’s wide-ranging musical curiosity, Honora promises an intimate, exploratory journey that bridges improvisational jazz textures with Flea’s unmistakable creative voice.
Release Date: March 2026
14. "The Former Site Of" by The New Pornographers

The Former Site Of marks the tenth studio album of Canadian indie-rock staple The New Pornographers, a band known for their distinct brand of addictive, infectiously catchy pop, with tracks such as Falling Down the Stairs of Your Smile and This is The World of the Theatre.
The band's first LP in three years, The Former Site Of spans ten meticulously crafted pop-inflected tracks, blending the group’s signature melodic instincts with narrative vignettes that explore characters at personal and societal extremes.
From its evocative storytelling to its richly textured arrangements, showcased already in singles like Votive, The Former Site Of promises a vivid, character-driven collection that feels both warmly familiar and refreshingly literate, underscoring why The New Pornographers remain a distinctive force in indie music more than two decades after their debut.
Release Date: March 2026
13. "Irreversible" by Brigitte Calls Me Baby


A second album from 2024 Debbie Award runner up Brigitte Calls Me Baby, Irreversible was recorded largely live with producers Yves and Lawrence Rothman, capturing the raw intensity and kinetic energy that defined the group’s sound with their debut.
Lead single Slumber Party showcases frontman Wes Leavins’s emotive vocals backed by propulsive guitars and driving percussion, hinting at a record that blends bold arrangements with emotional depth. Written and road-tested amid sold-out shows and festival appearances, Irreversible promises to expand the band’s signature sound, marrying urgency, heartfelt songwriting, and nostalgia, and firmly establish Brigitte Calls Me Baby as one of the most compelling alt-rock acts emerging today.
Release Date: March 2026
12. Blousey (New band)

London six-piece Blousey are building a reputation on the city’s DIY circuit with a striking blend of garage-rock grit, noir-tinged art-rock textures and swaggering rhythms, and all signs point to their impending debut album being a bold expansion of that sound.
Early singles like Canela Skin with its eerie, sultry energy and visceral lyrical focus, and the crunching, late-night swagger of Chances showcase a band equally at home storming through raw, visceral riffs and weaving in unexpected touches of saxophone, violin and organ that push their arrangements beyond straight rock clichés.
Their debut EP The Precipice already hinted at a cinematic palette that’s gritty and unpredictable, and as Blousey prepare to translate that momentum into a full-length record, listeners can expect something that captures the band’s restless tension, cinematic songwriting and appetite for dramatic contrasts, all the ingredients that have made them one of London’s most intriguing new acts.
Release Date: TBD 2026
11. "High Noon" by Blondie


High Noon marks the long-anticipated twelfth studio album from Blondie, slated for release in spring 2026, and will be the band’s first new record since Pollinator in 2017.
Produced again by John Congleton, who also helmed Pollinator, the album is expected to blend the band’s signature genre-blurring sound with mature, varied songwriting, something frontwoman Debbie Harry has described as both “traditional” in spirit and reflective of the band’s vast stylistic range.
High Noon also carries special emotional weight: it features the final studio drumming of longtime member Clem Burke, who passed away in April 2025, and includes contributions from collaborators such as Johnny Marr and Glen Matlock alongside original material from Harry and guitarist Chris Stein. While details on specific tracks remain under wraps, the record is already generating excitement as a poignant, genre-rich chapter in Blondie’s enduring legacy.
Release Date: Spring 2026
10. "Romanticize the Dive" by Metric

Romanticize the Dive is Metric’s tenth studio album and arrives as a reflective yet invigorated next chapter in the Ontario-based band’s celebrated career, which includes major hits such as Black Sheep and Breathing Underwater.
The first single Victim of Luck serves as both mission statement and emotional lens for the record, with frontwoman Emily Haines framing the album around the romance of a less-than-perfect life and the gritty joy of persevering through uncertainty, a theme grounded in the band’s early years of playing to tiny crowds and embracing creative risk.
Recorded at the iconic Electric Lady Studios with producer Gavin Brown and mixed by John O’Mahoney, Romanticize the Dive spans eleven tracks that balance Metric’s signature blend of incisive songwriting, indie-rock energy, and emotional nuance, promising longtime fans and new listeners alike a record that looks back with gratitude while still pushing forward.
Release Date: April 2026
9. "Hen's Teeth" by Iron & Wine

Next up we have Hen’s Teeth, the eighth studio album from Iron & Wine. Due out February and described by songwriter Sam Beam as a kind of creative twin to his 2024 release Light Verse.
Recorded over the past few years with engineer Dave Way and a tight band of collaborators, the collection leans earthier and more tactile than its predecessor, blending straightforward folk-rock moments with richer genre explorations and evocative arrangements.
Album themes revolve around deep emotional closeness and poetic imagery, from intimate duets to musings on shared existence, framed by track titles like Roses and In Your Ocean. The record features appearances by the acclaimed Americana trio I’m With Her and marks the recording debut of Beam’s daughter, Arden, adding both harmonic depth and personal resonance to the project.
Release Date: February 2026
8. Recoilette (New band)

Emerging from Helsinki’s vibrant indie scene, Recoilette, the musical project of Finnish singer-songwriter and producer Jukka Paajanen, is preparing to unveil his debut full-length album following a series of evocative singles and his The Black Window EP, with new music already on the way.
Drawing on a wide palette that ranges from wistful melancholia to cinematic noir, Recoilette’s work blends elements of electro-pop, psychedelic subtlety, and deeply introspective songwriting rooted in influences from classic ’60s and ’70s rock to Nordic noir atmospheres. Tracks like the recently released single The Turn, among our top tracks of 2025, alongside earlier cuts such as Venus and the Moon showcase his knack for crafting mood-rich soundscapes that feel both intimate and expansive.
While details on the album’s title and tracklist are still emerging, anticipation is building for a record that promises to solidify Recoilette’s distinct voice as one of Finland’s most compelling new songwriters, merging emotional depth with cinematic sonic textures.
Release Date: TBD 2026

It's remarkable how many bands on this year's list hail from Canada, I write as I watch them duke it out in the Olympics gold medal match. This next one ranks among the most influential to have emerged from the crowded early 2000s indie scene.
Remember the Humans is the sixth studio album from the influential Canadian indie-rock collective Broken Social Scene, a band known widely for a string of classic iconic indie tracks such as Anthems For a Seventeen Year Old Girl. Their first full-length in nearly a decade. Reuniting with longtime producer David Newfeld, who shaped their breakthrough early records, the 12-track project opens with lead single Not Around Anymore and traverses themes of nostalgia, connection, and the pull between past and present.
Featuring contributions from familiar collaborators including Feist, Lisa Lobsinger, and Hannah Georgas, Remember the Humans mixes the sprawling, layered indie-rock textures the band is known for with a renewed sense of collective identity after years of individual projects and archival releases. Anchored in both reflection and forward motion, the album promises to be a richly emotional statement from one of the most enduring and inventive forces in the genre.
Release Date: May 2026
6. Westside Cowboy (New band)


Fresh from winning Glastonbury’s Emerging Talent Competition and generating buzz across the UK indie scene, Manchester’s Westside Cowboy are poised to make 2026 their breakout year with a sound they proudly dub “Britainicana”, a loose blend of alt-rock grit, slacker energy, folk-tinged harmonies, and rootsy DNA refracted through a distinctly British DIY lens.
With members Reuben Haycocks, Jimmy Bradbury, Aoife Anson-O’Connell, and Paddy Murphy all singing and contributing to the band’s kinetic five-piece ethos, Westside Cowboy have already released spirited EPs and some memorable tracks like Strange Taxidermy and Don't Throw Rocks, which showcase their restless guitars, visceral grooves, and lyrical vignettes that feel lived-in and immediate.
Alongside a busy touring schedule, the band’s bracing energy and unabashed embrace of raw instrumentation suggest their impending full-length debut (expected later in 2026) will be both a culmination of their fast-rising trajectory and a defining statement for a new wave of British indie rock.
Release Date: TBD 2026
5. Paul McCartney


OK, I’ll admit, I don’t have much to go on with this one. But Sir Paul McCartney says he is working on an album for release in 2026, and that’s good enough to make my list.
I won’t even bother to say the man needs no introduction, because, come on, It’s Paul McCartney. I won’t insult your intelligence by linking some Beatles or some of his solo stuff because, seriously, it’s Paul McCartney. Global treasure.
Production on the new album commences upon conclusion of his tour at the end of 2024, and as of August last year is confirmed to be complete, which means we should start to hear some new material very soon.
Release Date: TBD 2026
4. Braxe + Falcon (New band)

One of the most exciting new projects in music. Braxe + Falcon is a new collaboration of legendary French producers Alan Braxe and DJ Falcon.
Their work, deeply rooted in '70s disco and pioneering production techniques, showcases a reverence for classic sounds while embracing modernity. The duo's first EP, Step By Step, marked a fantastic debut that reflects a seamless blend of timeless music and contemporary flair, featuring the unmistakable vocals of Panda Bear, lead vocalist of Animal Collective and highly successful solo artist in his own right.
The EP was well received, generating hype for what was to come next. A smattering of additional singles and remixes have followed in the last few years to similar praise, but we're all really just waiting now for the inevitable full blown LP. This one has been a feature on this list for a few years running, but I am sticking with it for now. If, as expected, this sees the light of day in 2026, it will be one of the biggest releases in electronic music for the year.
Release Date: TBD 2026
3. "The Mountain" by Gorillaz


Now it's time for another band that needs no introduction. The Mountain is the highly anticipated ninth studio album from British virtual band Gorillaz, and marks the first full-length project since Cracker Island.
Spanning 15 tracks and recorded across locations from London and Devon to India, Turkmenistan, Syria, and the United States, the record embodies Gorillaz’s signature collaborative ethos with contributions from an extraordinary roster of artists, from Sparks and Bizarrap to IDLES, Black Thought, Johnny Marr, Omar Souleyman, and posthumous appearances by Dennis Hopper, Bobby Womack, Tony Allen, and more.
So far it sounds like something of an experimental depature from what one might expect of Gorillaz. The Mountain places songs in multiple languages (Arabic, English, Hindi, Spanish, Yoruba) and has been described as a rich, genre-blurring soundscape that explores deeply emotional themes, including life, death, and connection, reflecting personal experiences of loss by co-founders Damon Albarn and Jamie Hewlett during its creation. Accordingly, the singles released so far, whcih includes The Happy Dictator, Damascus, and Orange County, runs a range of diverse musical styles that meshes world influences with the band’s distinct blend of experimentation, storytelling, and global sonic textures, a bold evolution in the band’s discography.
Release Date: February 2026
2. The xx


After several years of pursuing solo work, The xx are back in the studio and widely expected to unveil a fourth album in 2026, marking their first full new body of group work since I See You in 2017.
With Romy Madley Croft, Oliver Sim, and Jamie xx all bringing fresh perspectives developed through solo projects and collaborations, early studio comments suggest the band’s next record will meld their signature intimate, atmospheric sound with the broader influences they’ve absorbed in recent years. It's been a while, but go on, listen to VCR, Islands, or On Hold and remind yourself of just how good these guys are.
Their return is being teased alongside high-profile live dates, including festival appearances at Coachella and Primavera Sound. While details on a title or tracklist are still under wraps, anticipation is building for a record that could marry the band’s classic emotional precision with new creative edges honed across individual journeys.
Release Date: TBD 2026
1. The Avalanches

And we close off with a somewhat speculative one (that didn't work out too well for our number 1 pick last year, which is still AWOL). We know that legendary Aussie plunderphonics duo The Avalanches is working on a new album. But we don't know a whole lot more than that.
The Avalanches are a near mythical name in electronic music, having exploded onto the scene with the pioneering 2000 album Since I Left You, before vanishing from the face of the Earth for sixteen years, supposedly for a combination of health issues and legal complications relating to the sample rights of their sophomore album. They returned in 2016 with the brilliant Wildflower, and followed it up in 2020 with We Will Always Love You.
The Avalanches are quietly teasing a new studio album in 2026 that many listeners hope will continue the group’s tradition of transformative sound collage and adventurous production. Known for redefining plunderphonics with dense, emotive works like Since I Left You and the lush, collaborative textures of If I Was a Folkstar and The Divine Chord, the Australian duo of Robbie Chater and Tony Di Blasi have built a reputation for albums that feel cinematic, meticulously crafted, and full of hidden details waiting to be discovered. While specific details on title, release date, or guest collaborators have yet to be officially confirmed, every album they have released to date has been a 10 out of 10, and the band’s return to new music in 2026 has sparked excitement among fans and critics alike.
Release Date: TBD 2026
So there you have it folks: 2026 in music. Tune in next week for this year's final Hot List, where we look at the most exciting new movies in 2026.
Monday, 29 December 2025

It’s that time again. Bottles are chilled, finery is pressed, and the mood is unmistakably festive. Pull on your sharpest outfit, practice your best toast, and get ready for a night designed to delight. Welcome to the Debbie Awards, the grand finale of the year that honors the highs, the lows, and the truly unforgettable moments of the past twelve months.
The year 2025 has been a year of contrasts. Progress and regression, lost loved ones and new life. There's no shortage of global challenges, but at the same time there is much to celebrate. Technologies that once seemed experimental are now quietly improving daily life, global health is steadier and more resilient than it was a few years ago, and conversations about climate, equity, and cooperation have moved from abstract ideals to practical action. Progress no longer depends on grand breakthroughs alone, but on millions of small, thoughtful improvements; evidence that the world, imperfect as it is, is learning how to take care of itself a little better each year.
Without further ado, let the curtain fall upon 2025 as we begin our definitive review of the past 12 months:
2025 Debbie Awards
Cinema & TV
1. The Debbie for TV Show of the Year
Winner: Pluribus (AppleTV)
Runner Up: Severance (AppleTV)
It has been another excellent year for television, resulting in a very competitive category for this year's Debbies. There is objectively too much TV on at the moment, but hey let's enjoy the excess cultural output while it lasts. It doesn't happen often, but this year's winner is an entirely new series. Pluribus is the latest from Breaking Bad and Better Call Saul creator Vince Gilligan, and once again he has brought us some highly addictive TV. Ostensibly a satire of generative AI, Pluribus imagines a world overcome by a virus that turns humanity into a hive mind, albeit a seemingly friendly and content one. A few immune persons survive and contemplate what to do next. In equal parts funny and thought provoking, this is some highly original, genuinely entracing television, and I can't wait to see where it goes next.
Continuing the theme of thought-provoking satire, our runner up prize goes to the second season of Apple's excellent Severance. Season 2 deepens everything that made the first season so gripping, expanding its eerie corporate mythology while staying laser-focused on character and theme. Every bit as funny as the first season, with more twists and turns and, finally, some answers. The finale cliffhanger leaves us chomping at the bit for a season 3. We can only hope there is less of a break in between seasons this time.
2. The Debbie for New TV Show of the Year
Winner: Pluribus (AppleTV)
Runner Up: Alien: Earth (FX/Hulu)
2. The Debbie for New TV Show of the Year
Winner: Pluribus (AppleTV)
Runner Up: Alien: Earth (FX/Hulu)
Unsurprisingly, this year's best TV series is also the best new TV series. Pluribus faced some very strong contenders for both of these prizes, but this is a series that grabs you right from the first moment and doesn't let go. This really is the best thing on television at the moment, and it's just the beginning.
Runner up goes to a series that really might have won in another year. Alien: Earth is the latest addition to the Alien franchise and does a really remarkable job of maintaining the tone and the scares for which the series is known, complete with its trademark retro-futuristic aesthetic and production. By bringing the terror home, the series sharpens the franchise’s core themes: corporate hubris, exploitation, and the fragility of human control, while introducing fresh characters who feel fully lived-in rather than disposable. Add to that a wicked sense of ironic humour and some timely plotlines about AI and longevity science, and the result is some truly gripping television.
3. The Debbie for Film of the Year
Winner: Sinners
Runner Up: Ocean
Runner up goes to a series that really might have won in another year. Alien: Earth is the latest addition to the Alien franchise and does a really remarkable job of maintaining the tone and the scares for which the series is known, complete with its trademark retro-futuristic aesthetic and production. By bringing the terror home, the series sharpens the franchise’s core themes: corporate hubris, exploitation, and the fragility of human control, while introducing fresh characters who feel fully lived-in rather than disposable. Add to that a wicked sense of ironic humour and some timely plotlines about AI and longevity science, and the result is some truly gripping television.
3. The Debbie for Film of the Year
Winner: Sinners
Runner Up: Ocean
The career trajectory of director Ryan Coogler has been fascinating to watch. First making a name for himself through intimate, high quality filmmaking in projects such as Fruitvale Station, Coogler's talents quickly saw him poached up the big studios and put to work on bigger mass media properties like Creed and Black Panther, both of which, to be fair, were met with high critical acclaim and awards. Sinners marks his first original project in a decade, albeit still with a blockbuster-sized budget, and it reminds us exactly why Coogler is still considered to be such a talented filmmaker. An immaculately produced film that feels in equal parts lavish period piece and schlocky horror, with an unexpected dash of musicality. It's really hard to find fault here. It's a film that looks great, sounds great, with a strong thematic undercurrent, and is just a ton of fun to boot.
Coming in second this year is Ocean, the new film from David Attenborough. A breathtaking testament to both the majesty of the world’s oceans and the unmatched storytelling of Sir David Attenborough, delivering an immersive journey beneath the waves that is as enlightening as it is visually stunning. Through awe-inspiring cinematography and Attenborough’s calm, evocative narration, the series showcases the astonishing diversity of marine life while grounding its beauty in urgent environmental context.
4. The Debbie for Variety Show Host of the Year
Winner: Stephen Colbert, Jimmy Kimmel, Jon Stewart
As the rest of the world watches in horror at what is happening in America right now, there is little more we can do than pay our respects to those brave enough to still speak truth to power. This year, I award this prize to Stephen Colbert and Jimmy Kimmel, the late night talk show comedians who this year made headlines for being the target of government censorship. It is a dark time where those in power can direct the media to silence voices solely because they say things of which our leaders do not approve, but that is the state of America right now. While Jon Stewart has not (yet) been targeted that we know of, I add him to this list for producing perhaps one of the greatest and most timely commentaries on the authoritarian direction of the nation, as a direct response to the cancellations of Colbert and Kimmel. This really can't be said strongly enough, but that segment is absolutely essential watching for anyone trying to make sense of what's going on.
5. The Debbie for Rising Star of the Year
Winner: Miles Caton
5. The Debbie for Rising Star of the Year
Winner: Miles Caton
This year's pick for tomorrow's star of the future is Miles Caton fresh from his breakthrough performance in Sinners. In a film chock-full of strong performances, somehow the most memorable of all is that of the debutant. The 20 year old is a musician of some prospect, having featured alongside artists such as Jay-Z and H.E.R., but no one would have expected his acting debut to feature such confidence and emotional nuance. That he found a role which also complements his musical talent is fortuitous, but following this much hyped, and potentially award winning debut, the world's eyes will be on him going forward.
6. The Debbie for Web-Show of the Year
Winner: noclip
6. The Debbie for Web-Show of the Year
Winner: noclip
Gaming documentarian noclip continued to solidify its reputation in 2025 as one of the most thoughtful and valuable voices in games journalism, producing in-depth documentaries that treat game development as a cultural, artistic, and human endeavor rather than just a commercial one. While the crowdfunded endeavour has been operating since 2016, 2025 saw the group really step up their productions with a number of high quality longform series including an essential series on the development of Disco Elysium, featuring original interviews with its elusive creatives, and on the history and impact of cult classic Dwarf Fortress. By focusing on context, history, and the people behind the work, Noclip not only preserves important stories from an evolving medium but also helped audiences better understand how games are actually made, and why that process matters.
Music, Art & Theatre
7. The Debbie for Theatrical Production of the Year
Winner: Stranger Things: The Invention of Love (Hampstead Theatre)
I'll be honest, personal circumstance and baby-related commitments have made my experience of this year in theatre a little on the truncated side. This, of course, is terrific news for any plays I happened to see in the first half of 2025. So congratulations to The Hampstead Theatre’s production of The Invention of Love! This new offers a lucid, engaging take on one of Tom Stoppard’s most intellectually rich works, balancing its dense classical allusions with emotional clarity and warmth. The staging smartly embraces the play’s fluid movement between memory, scholarship, and mortality, allowing the ideas to breathe without ever feeling academic or remote. Strong performances, most notably that of the legendary stage actor Simon Russell Beale, ground Stoppard’s language in lived experience, giving weight to the play’s reflections on ambition, repression, and the cost of a life devoted to thought over intimacy.
8. The Debbie for Album of the Year
Winner: SABLE, fABLE - Bon Iver
Runners Up: Sinister Grift - Panda Bear, For Melancholy Brunettes - Japanese Breakfast
Bon Iver is no stranger to the Debbie Awards and a darling of the indie folk music landscape. His latest album SABLE, fABLE finds songwriter Justin Vernon leaning further into mood and texture, crafting a record that feels both intimate and elusive in equal measure. The album drifts between warmth and abstraction, pairing Justin Vernon’s fragile, expressive vocals with arrangements that feel weathered, patient, and quietly experimental. Great examples being the tracks Speyside and Everything is Peaceful Love. It’s a reflective, understated work that reinforces Bon Iver’s strength at turning uncertainty and vulnerability into something gently immersive and deeply human.
Fans of the indie genre will be well versed with Panda Bear, stage name of songwriter Noah Lennox, and his work with Animal Collective. Those that aren't will likely recognise his voice from well-played collaborations with artists like Daft Punk and Braxe + Falcon. Panda Bear's is one of the most distinctive voices in music, and his latest solo release, Sinister Grift, refines his sun-bleached psychedelia into something both more focused and subtly darker. The album’s looping rhythms and hazy harmonies feel deceptively gentle, masking a restless undercurrent that gives the songs emotional tension and depth. Noah Lennox’s gift for melody remains front and center, case and point tracks like Ends Meet and Defense, but here it’s framed with a sharper sense of intention, as if the warmth is being tested rather than simply basked in.
And in third place, For Melancholy Brunettes (& Sad Women) finds Japanese Breakfast striking a graceful balance between lush pop craftsmanship and emotional restraint. Michelle Zauner’s songwriting feels more measured and reflective here, allowing longing, doubt, and quiet resilience to coexist without tipping into melodrama, best exemplified by Picture Window. The arrangements are rich but uncluttered, giving the songs space to breathe and letting melodies unfold with a gentle confidence, a great example of this being Mega Circuit. Rather than chasing big cathartic moments, the album lingers in subtler moods, rewarding close attention with warmth and depth, and reaffirming Japanese Breakfast’s knack for turning introspection into something beautifully accessible.
9. The Debbie for Debut Album of the Year
Winner: Blue Sky Mentality - Good Neighbours
Runner Up: Till the Morning - Brian D'Addario
And in third place, For Melancholy Brunettes (& Sad Women) finds Japanese Breakfast striking a graceful balance between lush pop craftsmanship and emotional restraint. Michelle Zauner’s songwriting feels more measured and reflective here, allowing longing, doubt, and quiet resilience to coexist without tipping into melodrama, best exemplified by Picture Window. The arrangements are rich but uncluttered, giving the songs space to breathe and letting melodies unfold with a gentle confidence, a great example of this being Mega Circuit. Rather than chasing big cathartic moments, the album lingers in subtler moods, rewarding close attention with warmth and depth, and reaffirming Japanese Breakfast’s knack for turning introspection into something beautifully accessible.
9. The Debbie for Debut Album of the Year
Winner: Blue Sky Mentality - Good Neighbours
Runner Up: Till the Morning - Brian D'Addario
There were a few good contenders for this prize in 2025, but ultimately the Debbie goes to Blue Sky Mentality, a confident, upbeat debut that announces Good Neighbours as a band with a clear sense of identity and an instinct for emotionally resonant pop. The record leans into warmth and openness, pairing bright melodies with lyrics that acknowledge anxiety and uncertainty without being weighed down by them. Songs like Home have already gone on to become massive hits on streaming. There’s a natural charm to the songwriting, balancing earnestness with polish, and the album’s cohesion gives it the feel of a band already comfortable in its own skin. Blue Sky Mentality succeeds by being sincere, melodic, and quietly uplifting, making it an inviting and promising first statement. I expect that this band will go on to achieve big things.
As runner up, we have the debut from Brian D'Addario, better known as one half of the excellent retro-tinged rock band The Lemon Twigs. The debut record, Till the Morning, is a warmly crafted, introspective album that highlights D'Addario's gift for classic songwriting and melodic grace. Stripped of excess and rich in feeling, the album leans on timeless chord progressions, tender vocals, and arrangements that feel intimate without being slight. The result is often mesmeric, most so with lead single Only to Ease my Mind, a track so good it almost made it into the best song top three. Till the Morning succeeds not by reinventing the form, but by embracing it with sincerity and care.
As runner up, we have the debut from Brian D'Addario, better known as one half of the excellent retro-tinged rock band The Lemon Twigs. The debut record, Till the Morning, is a warmly crafted, introspective album that highlights D'Addario's gift for classic songwriting and melodic grace. Stripped of excess and rich in feeling, the album leans on timeless chord progressions, tender vocals, and arrangements that feel intimate without being slight. The result is often mesmeric, most so with lead single Only to Ease my Mind, a track so good it almost made it into the best song top three. Till the Morning succeeds not by reinventing the form, but by embracing it with sincerity and care.
10. The Debbie for Song of the Year
Winner: safeandsound - Parcels
Runners Up: Childhood - Barry Can't Swim, Kid - Great Grandpa
Picking a best song from a year's worth of music is always an impossible task, but this year's pick of the bunch is the lead single from the new Parcels album. Safeandsound is a smooth, effortlessly reassuring slice of modern funk-pop, capturing the band at their most relaxed and emotionally open. Built on warm basslines, crisp grooves, and featherlight harmonies, the song feels intimate without being slight. There’s a timelessness to the arrangement, retro in texture but contemporary in feel, that makes it instantly familiar while still distinctive.
Next up is a track from an album that very nearly made the top albums list from Edinburgh-based DJ Barry Can't Swim. On album full of creative flourishes, Childhood is a gently evocative track built on soft, rolling rhythms and warm melodic touches. The song's restrained progression gives it an almost dreamlike quality, inviting the listener to linger in memory rather than rush toward a drop. Childhood works beautifully as both a headphone listen and a late-night dancefloor moment, underlining Barry Can’t Swim’s talent for making electronic music that feels personal, humane, and quietly transportive.
Finally, third place, we have Kid, the lead single of the new album from Seattle-based rock band Great Grandpa. A sprawling, eclectic track that blends everything from vocoded acoustics to tender strings and anthemic, soaring harmonies, yet somehow manages to form a cohesive and brutally haunting whole. Intimate, bold, yet irresistibly dreamy. An absolutely top track that lingers with you for weeks on end.
11. The Debbie for Exhibition of the Year
Winner: Amsterdam Eet! - Allard Pierson, Amsterdam
Winner: Amsterdam Eet! - Allard Pierson, Amsterdam
For this year, we're going with something a little bit different for this prize. Amsterdam is a beautiful cultural melting pot of a city that blends cultural influences from all through out the rich history of the Netherlands and Europe, as well as the old colonial influences from Indonesia and East Asia. Amsterdam Eet!, the vibrant exhibition at Allard Pierson, offers a deliciously immersive celebration of the city’s diverse food culture through history, blending historical artifacts, striking visuals, and thoughtful curation to celebrate the way Amsterdam eats, socialises, and evolves. By juxtaposing everyday objects with compelling stories, the exhibition manages to be both heartwarmingly familiar and richly informative, inviting visitors to consider how food shapes identity, community, and urban life.
12. The Debbie for Book of the Year
Winner: This Way Up - Jay Foreman & Mark Cooper-Jones
Boy, I had a tough time with this one. As you will see from this blog's annual book review, published last week, there were a couple of strong releases this year that stood out. I certainly know that there were other books that would have made for a more popular winner, but ultimately I have gone for the This Way Up, the delightfully irreverent, yet educational, exploration of the weird and wonderful world of cartography (which is actually way more interesting than it sounds), brought to life with the same dry humour and infectious enthusiasm that made the author's Map Men YouTube series a hit.
Even if the subject matter seems dry or uninteresting to you, it's the wit and humour with which it is delivered that makes this such an excellent read (as indeed is the case with the YouTube channel). Foreman is a truly impressive talent who deserves a wider audience, and perhaps this is the first step. Whether you’re a seasoned map geek or just “map-curious,” there’s a surprising amount to learn and enjoy in each chapter.
Business & Technology
13. The Debbie for Scientific/Technological Breakthrough of the Year
Winner: The First Ever Successful Treatment of Huntington's Disease
In 2025, neurologists Edward Wild and Sarah Tabrizi played leading roles in a landmark breakthrough for Huntington’s disease, a hereditary neurodegenerative condition that has long been fatal and untreatable.
Their work on the experimental gene therapy AMT-130, developed with uniQure and delivered in a single surgical dose to lower the production of the mutant huntingtin protein, produced the first robust clinical evidence that the course of the disease can be significantly slowed in humans, with participants showing about a 75 % reduction in progression over three years compared with untreated cohorts. This represents the first time a treatment has been shown to modify the underlying disease process rather than only managing symptoms, offering unprecedented hope to patients and families affected by Huntington’s and marking a major step toward future disease-modifying therapies for neurodegeneration.
14. The Debbie for Videogame Platform of the Year
Winner: Steam Deck
If there is one thing I have learned to appreciate this year, it is technology that allows for more flexible and more portable gaming experiences. The kind of gaming that, should one need to quickly exit and attend to a little human, one can do so. Accordingly, the Steam Deck has emerged as an ideal platform for gaming because it blends portability, power, and ecosystem flexibility in a way few other devices do.
Its custom AMD hardware runs a wide library of PC games natively or through Proton compatibility, letting players access their existing Steam libraries without sacrificing performance. The integrated controls and touchscreen make the experience intuitive on the go, while the open Linux-based system supports customization, emulation, and even non-Steam titles. With a robust UI designed for handheld play and the ability to dock to a TV or monitor, the Steam Deck bridges the gap between home and portable gaming, giving users a true “play anywhere” PC experience without the compromises of traditional handheld consoles. The only downside is a battery life that can quickly dwindle during an intensive gaming session. This is par for the course with any high powered mobile gaming platform, but I look forward to future models improving in this regard.
15. The Debbie for Videogame of the Year
Winner: Clair Obscur: Expedition 33 (PC, Playstation, Xbox)
Runners Up: Kingdom Come: Deliverance II (PC, Playstation, Xbox), Dispatch (PC, Playstation, Switch)
Let's first give credit to 2025, which was an absolutely smashing year for gaming, one of the finest. Whittling the list down to just a top three was an extraordinary task, and I feel a shout out is in order to the brilliant games of 2025 that, in any other year, may well have been a contender, but did not break into this year's awards solely because of how absurdly competitive the field was this year. Games like The Alters, Citizen Sleeper 2, Octopath Traveler 0, Avowed, The Outer Worlds 2, Keep Driving and Skate Story. Phenomenal all, but alas we can only have three games in a top three.
I had a difficult time with this year's winner. Right up until the day of publication I had been going back and forth in my mind about who should get this. As anyone who is at all switched into the world of gaming knows, in 2025 there has been one game above all others that has been hyped by everyone as the clear winner, and not just the best of the year, but one of the best of the decade. That game is Clair Obscur: Expedition 33, and I can see why it attracts such praise. This western spin on a classic turn-based JRPG demonstrates absolutely stunning storytelling and artistry, from the unique belle époque aesthetic to the unforgettable visuals, music, writing and voice acting. Yet something that I feel has been overlooked by most reviewers is the fact that, underneath all the presentational brilliance lies a distinctly creaky and flawed base of gameplay mechanics and design, from questionable minigames to cumbersome UI design, and a side quest system that is not very well implemented. None of it is "bad" per se, but there are other games in this competition that demonstrate more accomplished design and execution. This left me with the question, should the "best" game not be the one that is the best made, or is it possible for a flawed masterpiece to have so profound an emotional impact so as to compensate for being more rough around the edges? Clair Obscur is a great example of a piece of work that, through the mystifying alchemy of artistic expression, manages to deliver so much more than the sum of its parts and leaves an indelible mark on the player. Ultimately I can't think of any better way to evaluate the success of a piece of art.
By contrast, Kingdom Come: Deliverance II is a game with which I can find very few flaws. This is a sequel to Warhorse's 2018 RPG, which was quite famously built on a crowdfunded budget, with minimal studio support. The success of that game has allowed for the development of a much more lavish and polished sequel, and it really shows. This is a game which just oozes quality, from the excellent storytelling, voice acting and writing, to the intricately detailed and interactive open world. Everything has been refined and polished, from the notoriously detailed combat system, to the alchemy, bartering and crafting. The stat-based RPG elements are excellent and remarkably diegetic. It's an excellently made RPG that in any other year would be a worthy winner, if not for that one other, arguably more flawed game and its je ne sais quoi.
Just as it was with first and second, third place also came down to an absolutely brutal death match between Dispatch and The Alters. While I ended up going for the former, if you haven't played The Alters please do so. It's a delightful twist on the base/squad management genre that manages to be funny, thought-provoking, and surprisingly sweet. As for Dispatch, this game is fantastic. A Telltale-style narrative adventure that, at times, feels more like an interactive TV series than a game. Essentially a superhero workplace comedy, this game is blessed with phenomenal animation, genuinely hilarious writing, and an allstar voice cast that includes the likes of Aaron Paul, Jeffrey Wright, and Laura Bailey. The storytelling is absolutely on point and delivered with a surprising amount of style and emotional heft. Frankly, if this was a TV series, it would be one of the best of the year.
16. The Debbie for Company of the Year
Winner: Baboodle
Any parent knows the pain of making sure you have all the baby equipment you need, especially when traveling. strollers and cribs are expensive, take up a lot of space, and don't even last that long before the child becomes too big for use. Baboodle offers a flexible rental subscription model that allows families to access high quality strollers, cribs, carriers (some of which is brand new) for just the period of time you need it, without the full expense or clutter of ownership. The flexibility and service of the business is key, delivering to your door and collecting, with minimal hassle. At the same time, the company’s circular approach also reduces waste and extends product lifecycles, helping parents reduce their environmental footprint. By tackling both economic and ecological challenges with a simple, elegant solution, Baboodle exemplifies a business built for the needs and values of 2025.
Sports
17. The Debbie for Footballer of the Year
Winner: Ousmane Dembélé - Paris Saint-Germain
Sports
17. The Debbie for Footballer of the Year
Winner: Ousmane Dembélé - Paris Saint-Germain
It has been an excellent year for the man at the centre of arguably the best team in the world right now. Ousmane Dembélé's comeback has been remarkable. Historic injury issues had seen Dembélé dismissed as just another failed prospect who never lived up to his potential. Now he is a genuine world superstar. 2025 saw the forward instrumental to Paris Saint-Germain's success as the French side secured a historic treble, including Ligue 1, the Coupe de France and the Champions League. His performances earned him the Ballon d’Or and The Best Fifa Men’s Player awards for 2025, affirming both peer and fan recognition of his influence on the pitch and his evolution into a complete, world-class forward who defined the season for club and country.
18. The Debbie for Young Footballer of the Year
Winner: Lamine Yamal - Barcelona
There are a few players in world football today who would be contenders for this prize. Some people may see that I have picked Lamine Yamal and think "oh him again?". It feels like he has been around for years, yet somehow the kid is still only 18. It is this which sets Yamal apart from the likes of Estêvão, Max Downman and Désiré Doué. Yamal is not just an exciting prospect with potential, he is already a world class footballer who can play at the highest level in the world with consistency even at his age. That is unusual, that is rare. In a year when youth often struggles to translate hype into impact, Yamal’s consistency, adaptability, and moments of genuine brilliance marked him as the most compelling young talent in world football.
19. The Debbie for Football Manager of the Year
Winner: Sarina Wiegman - England Women's Team
Choosing a winner from the women's game may raise eyebrows from some people, but this is no political statement. Sarina Wiegman is the real deal. Wiegman's three European Championship titles in a row (one with Netherlands, two with England) may never be matched. It's mind boggling to even think about it. Add to this that she has also been back to back World Cup runner up, which makes her the first manager in either the men's or women's game to reach five major international cup finals in a row, and it's clear. Truly there is no manager anywhere in the sport with this incredible level of consistency and excellence.
20. The Debbie for Football Club of the Year
Winner: Paris Saint-Germain
With a squad brimming with world-class stars who excelled both individually and as a unit, Paris Saint-Germain delivered a season to remember, defined by attacking flair, defensive solidity, and mental resilience in big moments. Their success speaks for itself, a historic treble in the bag including a first ever Champions League victory. Really the only black mark on PSG's 2025 is their failure to claim the inaugural Fifa Club World Cup at the hands of a resurgent (if ephemeral) Chelsea, but in spite of this there are few in the world who would argue against PSG being the team of the moment.
Current Events
21. The Debbie for Politician of the Year
Winner: Mark Carney
Current Events
21. The Debbie for Politician of the Year
Winner: Mark Carney
So there are a few people in the running for this award, but ultimately my pick for 2025 goes to Canadian Prime Minister Mark Carney. Carney took leadership of the Liberal party at possibly the worst imaginable moment. In the run up to an election where his party trailed in the polls by double digits, in a nation weary after a full decade of Liberal leadership, with a newly hostile American President across the border talking of violent annexation. But anyone who has followed Carney's career knows that this is a man who can handle immense pressure and grave circumstances with grace and skill. That he managed the most unlikely of electoral turnarounds and managed to more or less calm border tensions to the south speaks to this. Carney may not be the flashiest, but he is a steady hand at a time when it is most needed.
22. The Debbie for Scandal of the Year
Winner: The Epstein Files
I mean it really can't be anything other than this can it? This is hardly a new story, but in 2025 the Epstein Files finally, and belatedly, started to reach fever pitch. This refers to all the Government files relating to Jeffrey Epstein and his ring of child abuse and sex-trafficking, which is said to include a number of highly prominent clients. One person very much embroiled in this affair is, of course, the current President of the United States, Donald Trump. Donald Trump has been long known to have been a very close associate and friend of Epstein and a frequent attendee at his events and visitor to his island, but the revelations we have seen in the past year have at last started to shed a light on just how close he may have been. Allegations of rape, lewd, sexually explicit conversations and communications, references to secrets and "love of nubile young women", not to mention what appears to be a blatant unlawful cover up of those documents. It's no longer rumour and speculation. What happens next will be a massive test of America's moral character. Do they finally address this situation, or continue to shrug at the apparent perpetration and cover up of some of the darkest crimes imaginable.
23. The Debbie for Cause of the Year
Winner: Combatting toxicity and misinformation on social media
This is certainly not a new story, but 2025 has been a year to really cast a spotlight on the dangers of social media, from election-interfering misinformation, to bullying, toxicity and violent crime. There exists a fundamental tension in the world today between liberal western society's desire for openness and free speech, and the damage that can be done when those freedoms are abused, and for whatever reason, no one has yet come up with a satisfactory answer. Censorship is decidedly not the answer, as the UK Government is starting to learn. It is going to require better education, better transparency, and light-handed but essential moderation. I don't have all the answers, but this is the area that most sorely requires action from the powers that be, but sensible, empirically tested actions, rather than performative and reactionary actions.
24. The Debbie for Person of the Year
Winner: Demis Hassabis
There has been a lot of talk in 2025 of AI and the significance of their creators on the world today. Of these creators, Demis Hassabis stands out as The Ephemeric's Person of the Year because he exemplifies how advanced technology can be harnessed in service of human progress rather than disruption alone. Through his leadership in AI research, most notably its application to biology, medicine, and scientific discovery, Hassabis helped shift the narrative around artificial intelligence from fear and speculation to practical benefit, accelerating breakthroughs that would have taken decades by traditional means. His work has shown that AI can deepen our understanding of life itself, opening new paths toward treating disease and solving complex global problems, while his emphasis on responsibility and long-term thinking offers a hopeful model for how powerful tools should be developed.
Social & Lifestyle
25. The Debbie for Restaurant of the Year
Winner: Klein Breda
There are lots of restaurants that can offer elaborate tasting menus with creative and aesthetically pleasing dishes, but there is an art to running a restaurant that can do so whilst maintaining a warm and relaxed atmosphere. Klein Breda in Amsterdam manages to thread this needle, and it does so through a number of methods. From the cosy, casual ambience, to the friendly and flexible service. The menu is accommodating to dietary restrictions and offers flexibility as to the number of dishes. Most surprisingly, the prices are quite reasonable, providing value for money that you rarely see with this type of restaurant. And of course, most importantly, the food is delectable.
26. The Debbie for New Restaurant of the Year
Winner: Casi Casa
Our pick of the year's new restaurants goes to Casi Casa in Zurich. From the entrepreneurs behind celebrated Zurich establishments such as Weisses Rössli, Casi Casa is a stylish Latin America influenced restaurant, bar and event space. It works for brunch, lunch and dinner, with great food, drinks, and even family-friendly support. The event space opens up for live music, dancing and DJ nights, as well as films and sporting events. An excellent and versatile addition to your Zurich rotation.
27. The Debbie for Bar of the Year
Winner: The Pulitzer Bar
A returning champion of Debbie Awards past. This year this highly coveted award goes to The Pulitzer Bar of Amsterdam, a stylish and cosy cocktail venue from the hotel of the same name. Adorned with books, classic velvety armchairs, and rotating themed cocktail lists, there is certainly no more whimsical a setting to enjoy a good snifter in 2019. But this is no mere novelty bar, far from it. It is the high quality of the setting, and the creativity of the drinks that makes Pulitzer a standout establishment, and somewhere that everyone should visit in Amsterdam.
28. The Debbie for Destination of the Year
Winner: Stockholm
28. The Debbie for Destination of the Year
Winner: Stockholm
Offering a uniquely rich blend of historic charm, cultural depth, and natural beauty, Stockholm invites exploration from its atmospheric cobblestone streets in Gamla Stan and grand royal palaces to world-class museums easily paired with scenic waterfront strolls or visits to the vast nearby archipelago of over 30,000 islands. The city’s distinctive "Scandi" crafts and design makes for an excellent shopping destination, while the food scene encompasses so much more than one might expect.
29. The Debbie for Wine of the Year
Winner: Leeu Passant Stellenbosch Chardonnay 2021
29. The Debbie for Wine of the Year
Winner: Leeu Passant Stellenbosch Chardonnay 2021
This year's recipient of the wine Debbie comes from a pairing option we had at dinner. Suffice it to say, it was good enough that top ups were ordered. From the cool, maritime-influenced slopes of Stellenbosch, the Leeu Passant Stellenbosch Chardonnay 2021 invites with aromas of lime and peach, with a lush yet textured mouthfeel. The citrus notes are balanced by a fresh mineral-tinged finish. This is a beautifully crafted Chardonnay that rewards both immediate enjoyment and careful cellaring.
30. The Debbie for Tipple of the Year
Winner: The Copenhagen Sparkling Tea Company, Lyserød
30. The Debbie for Tipple of the Year
Winner: The Copenhagen Sparkling Tea Company, Lyserød
A first for this blog as we award this prestigious prize to a non-alcoholic beverage. Non-alcoholic options for those looking to engage in some convivial beveraging are all the trend right now, and every year we see more and more offerings that are good enough to become, not just an option for those who can't drink, but a worthwhile choice for anybody. This year the prize goes to The Copenhagen Sparkling Tea Company's Lyserød, a delightful and refined non-alcoholic sparkling beverage that elevates what might once have been a simple soft drink into a sophisticated alternative to rosé wine. Crafted from a carefully curated blend of organic teas including oolong, hibiscus, and Silver Needle white tea, Lyserød offers intense fruity complexity while remaining comfortably dry and smooth on the palate. As part of a broader trend toward elevated non-alcoholic drinks, Lyserød stands out for its nuanced taste, thoughtful craftsmanship, and versatility with a wide range of foods.
Well there you have it, another year signed, sealed and delivered. Here's to 2026 being a year of peace, good health, and progress. See you there!
Well there you have it, another year signed, sealed and delivered. Here's to 2026 being a year of peace, good health, and progress. See you there!
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