Thursday, 10 July 2025
If you watch the news with any kind of regularity, you will have seen the world abuzz with one thing. The Trump tariffs are a matter of such broad, global consequence that they have the potential to not just affect the American domestic economy, but upend that of the world at large. Despite their import, there has been a great deal of confusion as to what exactly this all means. Misinformation is flying in both directions, not helped by a news media that increasingly seems ill-equipped to brief the public on anything but the most cursory facts. With Trump's big tariff deadline being passed and extended on July 2nd, now seems like a good opportunity to finally get into this: what are the Trump tariffs, why are they being implemented, and how does this affect the rest of us?
There seems to be a widespread misunderstanding amongst the public as to what exactly a tariff does and what purpose it serves. So let's start with the basics. A tariff is a fee the Government (could be a national Government, a supranational Government, or customs union) charges to buy and sell goods outside the domestic market. It is essentially a form of tax on cross-border transactions, most commonly imports.
What is the purpose of a tariff? Generally it's to protect local industry. Businesses may seek to import goods and services from elsewhere if it is cheaper, but in doing so they may weaken the domestic providers of those goods and services. By charging a tariff, you are effectively making the import more expensive, and thus less advantageous, in the hopes that without this benefit the business may choose to do business domestically instead.
In general tariffs have become less ubiquitous in our modern globalised economy. The prevailing liberal mindset in recent decades has settled on allowing the free-market to do its thing with as few limitations as it is responsible to allow. That being said, tariffs are still commonly used for strategic purposes to protect vital domestic industries, for example in the military and national security sectors, agriculture, and to protect infant industries and promote national development of key technologies.
What is notable and remarkable about the Trump tariffs is the scale and scope. He is proposing widespread tariffs on broad sectors and at punitively high rates. These are tariffs used to a degree rarely seen in the developed world during the postwar era, and their impact could be devastating to the global economy.
So why is the administration doing this? It's a difficult question to approach simply because there is so much spin, so much misinformation. Both sides are resorting to highly simplified arguments that play well on TV, but that don't really capture the reality of what is going on or why. So let's tackle this in stages. We'll start with the surface-level arguments for and against, the types of discussions you will probably have seen bounced around on cable news over the past several months. Then we can look at some of the deeper arguments, and finally come to the hard truth about the end game of this policy, and what the ultimate result is likely to be.
Depending on who you speak to, these tariffs are either economically illiterate drivel that will crash the global economy, or a necessary action to level the playing field and bring jobs back to America. The truth is more nuanced than you might think.
The superficial arguments
Suffice it to say, tariffs, and indeed economics as a whole, is a topic with which the general public is only fleetingly well versed. I say that with absolutely no disrespect, economics is a dense and complex subject. Most people are reliant on the explanations they hear from the media and from the Government, and in general these have been of pretty poor quality.
The most common explanation you will hear from the administration is that these tariffs are about other countries paying their fair share, an implication that these tariffs are fees that other countries will need to pay, and that America as a whole will reap the profits from these payments. That, of course, is pretty much nonsense. Tariffs are a tax on the American people. We pay those fees, not the other country. If an American company wants to buy a product from China for $10, and the Trump administration wants to add a 10% tariff on that import, then that product now costs $11. China still gets its $10, the American business pays the extra dollar.
This is sadly pretty typical of what we have seen from Trump's two administrations. Quick, snappy sound bites with little regard as to whether they reflect reality in any way. All positive marketing spin, without any acknowledgement of the downsides.
But I would argue that the opposition's counter-arguments are also wide of the mark. They quite rightly point out that the above explanation is nonsense, but they typically leave it at that. For the sake of simplicity they fire back that a tariff is a tax on the American people, and thus inherently bad in all its forms. There is some truth to this, but it's not the whole truth. As mentioned above, tariffs are and have been used even before Trump came along. They do serve some purpose. But as we've seen, there's little place for nuance in politics these days. Which is why we will now get into some of the deeper arguments.
The deeper arguments
So what are the real arguments for and against tariffs, free from the political spin?
We've already touched on some of this in the preamble to this article, but nowadays tariffs may be used to protect vital industries and ensure that some level of domestic activity exists for strategic or security purposes, even where it is not the most economically efficient.
Tariffs had previously been used more widely prior to the globalisation boom of the late 20th Century, and there is a school of thought that we should move back in that direction. The logic goes that globalisation effectively incentivises the outsourcing of certain types of manual labour, specifically manufacturing and other forms of work that require less formal education, and so can easily be performed in less wealthy nations at lower cost. But we still have those lower-education strata manual labourers in this country, and if we're outsourcing their jobs then they will struggle.
This is the central dilemma and crux of the anti-globalism ideology. Getting too much into the possible solutions for this problem is beyond the scope of this article, but in the context of tariffs, the argument would be that by making it more expensive to hire labour outside the country, you disincentivise this behaviour and businesses will hire locally instead.
While this is true, it comes with a lot of problems. Proponents of this idea are essentially calling for a return to the more-protectionist economic policy of yesteryear, a nostalgia-tinged time where the nation was prosperous and the lower and middle classes could make enough money to get by. The trouble is, these depictions of the past leave out a lot of crucial context. For starters, poverty was actually much higher back then, and the nation's economy as a whole was a lot smaller. One could argue that the wealth may have been more equitably distributed to all people back then, but the reality is that it's just certain very specific sectors being squeezed right now. The country as a whole is more wealthy now than it has been at any other point in time. That prosperity may not be felt by certain segments of the population, but most classes of people will feel that benefit. Unfortunately, that greater prosperity is directly linked to the very thing these people are trying to reverse, the lower cost of doing business afforded by globalism.
The example often brought up in the media is Apple. An American company that does most of its manufacturing overseas in places like China where labour is cheaper. Apple is a big, wealthy company, so theoretically they could shrug off the squeeze of tariffs and build their next factory in the US. The problem is that most companies are not Apple. The reason the economy is so much bigger now than it ever has been is because the barrier of entry for people to do business is so low. Most businesses are small or medium sized enterprises, and they may not be able to absorb the same economic shock that a company like Apple can handle.
So while, yes, you could theoretically make it more expensive to do business abroad and disincentivise sending jobs overseas, doing so is going to squeeze these small businesses and ultimately shrink the economy. The result is that more people are likely to end up less well off than they are now. It also won't do much to address the underlying issues causing the economic distress. From a coal-miner's perspective, the matter might seem as simple as giving him a job, but there's a reason why that doesn't work economically any more without intervention. The world has changed, the solution is that wealthier nations need to get better at training a workforce for a modern economy. The current status quo, letting those left behind workers suffer quietly, is unsustainable, but so too is trying to grant them a temporary reprieve by financially doping their industrial sector. The genie won't go back in the bottle.
Logically, your next thought might be 'Well why is the Trump administration doing this then? Why aren't they reaching the same conclusions as you?' The answer is that, actually, they probably are. There's nothing controversial or unorthodox about what I have written above. Whatever you may think of the Trump administration, his economic advisors are not idiots. They know full well that implementing this extreme protectionist policy will likely provide, at best, only a temporary boost to certain demographics, the benefit of which would probably be offset by the damage done to everyone else. So then why press on with it? It's time to look at the hard truth of the Trump tariffs, and shed some light on a core aspect of Trump's leadership style.
The hard truth
Here's the truth about the Trump tariffs: he knows that this kind of extreme protectionist policy isn't going to benefit anyone, least of all Americans, in the long run. He's talking a big game drawing on the nostalgia of an idealised bygone time, and demonising the easy targets as an ill to be cured by drastic action, but in reality it's all for show.
What Trump is doing here is fairly transparent for anyone that has followed his administrations closely and become accustomed to how he gets things done. This whole song and dance is little more than brinkmanship with the rest of the world. Trump is betting that the American economy is so massive, so significant, so crucial to the global economy and the specific economies of other trading partners, that whatever damage these tariffs inflict upon America will be inflicted on those other countries even more so. He's betting that the risk of losing American trade will prove to be such an existential threat to the leaders of other countries, that those leaders will simply offer concessions and more favourable trade terms in order to avoid their implementation. He's probably right.
Honestly, I don't think this style of foreign policy is necessary. I don't think it does much to address the most significant economic issues facing America, and certainly does little to help those struggling economic classes to which his protectionist arguments are addressed, but he's also not wrong. America is just that powerful economically, and he probably can extract economic benefits from other countries through this strategy, extreme though it may be.
This really gets at the core of Trump and how he works. We've seen this playbook before. Noise and chaos, convince the other side that you are irrational and dangerous, force them to the negotiating table just to avoid the risk. It's over the top, but it can work. The problem with this is twofold.
First, and most significant, this administration just hasn't shown itself to be all that competent at negotiation. This week's deadline had been intended as a line in the sand. The expectation was that around 100 new trade deals would be signed by this date, and thus the tariffs could be averted. As of the time of writing, Trump has only managed to reach 3 new trade deals. For whatever else you may think of Trump and his policies, he just hasn't ever been that effective a President. A lot of bluster with little to show for it. This kind of tactic requires a deftness and cunning that Trump's administrations simply haven't demonstrated. With each passing deadline Trump's threat is taken a little less seriously, and his leverage decreases. He can only hope that the gulf in negotiation position is such that he can still scare his opposite number into submission despite these setbacks.
The second issue is, frankly, corruption. Another core attribute of Trump's administrations has been the extent to which he uses his position to benefit himself or his allies both economically and politically. We saw it in his first term when he attempted to bribe Ukraine into helping him win re-election by threatening to withhold military aid, an act for which he was ultimately impeached. We're already seeing it again with these tariffs, with the news this week that Trump was threatening to impose tariffs on Brazil in retaliation for the rightful criminal prosecution of former Brazilian leader, and Trump ally, Jair Bolsonaro. This has always been an issue with Trump, even to the extent that he may be able to get a win from something, it's not always his intention to use this to benefit the country or American people. Sometimes it is purely for self-interested reasons, and unfortunately that may well be the case here.
I think that about sums up the topic. I hope this has been a useful primer as to the subject of tariffs, the arguments for and against, why they aren't as stupid as Trump's opponents would have you believe, but also why there's genuine doubt as to whether we'll actually see any kind of benefit. We'll see how it turns out, but for what it's worth my own view is that I've had enough of this shtick.
Sunday, 25 May 2025
Another Premier League campaign in the history books and it was quite the cracker really. Not so much at the top of the table, where Liverpool's march to the title has been something of a foregone conclusion for several months. But elsewhere we had such drama as Tottenham and Manchester United finishing only just outside of relegation, and arguably the most exciting contest for the Champions League qualification places in recent memory. As per tradition, let us sit and digest the season gone by, and ruminate over what is to come.
Arsenal were, once again, the nearly men. A decent season that saw them finish runner up, albeit closer to 7th than 1st and only just managing to steer clear of the tussle for European qualification in these final weeks. For all their hype and effort, the Gunners will once again finish the season trophiless and with Tottenham, miserable league campaign notwithstanding, finally breaking their decades-long silverware duck, that has to sting.
Most of the drama in these final weeks has been in that contest for European qualification, with Manchester City, Chelsea, Newcastle, Aston Villa, and Nottingham Forest all competing for three (expanded from two courtesy of the Premier League's impressive European coefficient) spots in the continent's biggest arena. That Villa and Forest missed out on the final day shouldn't detract from just how impressive their season has been, especially on the part of Forest, of whom very little was expected at the start of the season.
Chelsea, inconsistent once again, will nevertheless celebrate a return to the Champions League despite setting a record as the youngest ever squad in the nation's top flight. For all their woes since the Clearlake takeover, there might finally be signs of a plan coming to fruition. But over these past three years, Chelsea have consistently been their own worst enemy. Fans will be waiting on pins and needles to see if they can get through this transfer window unscathed before getting too optimistic for next season.
As for the Premier League team of the season, a few things jump out. First are the number of really quite excellent signings being made by less prominent clubs, most notably Nikola Milenkovic at Nottingham Forest and Milos Kerkez and Bournemouth. Dean Huijsen (also Bournemouth!) could easily have made this list as well. The second is how quickly things can change for certain players, with team of the season places awarded to two midfielders, Moises Caicedo and Sandro Tonali who, this time last year, I would have declared as flop transfers. There's certainly no one saying that now.
But most of all, really, what can you say about Mo Salah? At 32 years of age he might just have had his finest season yet, becoming the first player to win player of the year, top scorer, and top assister, all in the same season. Truly remarkable.
Now let's get to some awards and the team of the season:
The Ephemeric Premier League Awards 2025:
Winners: Liverpool
Relegated: Leicester City, Ipswich Town, Southampton
Player of the Year: Mo Salah (Liverpool)
U-21 Player of the Year: Dean Huijsen (Bournemouth)
Best Goalkeeper: David Raya (Arsenal)
Top Scorer: Mo Salah (Liverpool) (29)
Most Assists: Mo Salah (Liverpool) (18)
Manager of the Year: Arne Slot (Liverpool)
Best signing of the season: Nikola Milenkovic (Nottingham Forest)
Worst signing of the season: Joao Felix (Chelsea)
The Ephemeric Premier League Team of the Season 2025:
So there we have it, another season of Premier League football gone by. We'll see you again next season!
Saturday, 26 April 2025
I like to think I am a pretty adaptable person. I have been told before that it's almost like there are multiple versions of myself for every context. There's "City James", the posh London boy that so many have grown to love and/or hate. "Country James", the James that wears a flat-cap and picks apples in the rurals. Then there's "Switzerland James". Is he a more practical James? A more in-tune with nature James? More neutral? One thing I can say is that City James would never eat something he found outside on the ground. But Switzerland James, oh boy are you in for an adventure.
Since moving to this new land, I have been awed by its natural bounty. Local produce harvested from robust ecosystems, woodlands practically bursting with foragables. I wanted to get in on the action, and so I invite you to journey with me as I forage and make (under heavy supervision from someone who knows what they are doing) wild garlic pesto, picked from the local forests.
The first step is the most important, and also the hardest. Find yourself some wild garlic. You want damp, shady woodlands, ideally close to a source of water. It looks a little something like this:
There it is, wild garlic, also known as ramsons. You'll find it in thick carpets, huge amounts in one area. The first thing to notice is that this is not garlic like the bulbs you find in the supermarket. While ramsons is is a member of the same Allium genus as your typical garlic, the bulbs are underground and not typically eaten. Instead, it's the broad green leaves we're after.
But, be careful! Wild garlic leaves can easily be mistaken for similar looking, but toxic, vegetation. Two good tips for being safe: 1) sniff for that garlicky smell. No garlicky smell, no garlic; 2) look at the stems, if it's a single stem, it's safe. If one stem branches into several, then it's not.
So you've identified a plant which is definitely ramsons and definitely not poisonous. Next we need to harvest it. Do so by breaking off the leaves. Be careful not to pull up the roots, that way the ramsons will grow back after picking. As to the amount, it depends on how much pesto you wish to make, but I would say pick more than you expect you will need. You'll be surprised by how little pesto you get for the volume of leaves picked.
On to the kitchen. Wash the ramsons thoroughly in a collander with cold water. You may also want to wash or soak in bicarbonate of soda to ensure that everything is clean (you never know where there may have been foxes about).
While soaking, toast some pine nuts in a dry pan until golden brown. For two cups of leaves, you want about a half cup of pine nuts. Watch these like a hawk and stir. Pine nuts can go from brown to burnt very quickly.
Once that's all done, add the pine nuts to the ramsons, along with a quarter teaspoon of salt and a whole heap of freshly grated parmesan. However much cheese you think you need, it's more. At least a half cup. Finally, add a quarter cup of olive oil.
With your ingredients combined, all that is left is to blitz the heck out of it with a blender. Your standard kitchen blender will do, but if you really like to get your hands dirty, you'll want to use a hand blender. Blend to your preferred consistency, and then jar that sucker up (pictured above). Pour a layer of oil along the top of the pesto to keep it fresh for longer.
Congratulations, you've just made some hand-picked wild garlic pesto. Easy, right? Pour some of that bad boy out on a dish of pasta and enjoy the most fresh, fragrant, garlicky pesto you've ever eaten. Or get creative. Make some pesto bread, mix with butter for some wild garlic butter. Embrace the garlicky goodness.
Sunday, 2 March 2025
Welcome back to The Ephemeric. It is Oscar season again, and once again March is the month in which I know not the light of day. I could make the same joke as last year by copy pasting the intro blurb, but instead I'll just get straight to some predictions so we can all go on with our day.
Honestly, this is a fairly mediocre year for movies, and it's hard to imagine any of them living too long in the memory. But, the flip side of this is that for once we actually have a somewhat competitive Awards season, with a number of prizes that could truly be given to any of multiple contenders. As usual, I will predict the likely winner for each prize, and then bore everyone with why I think the Academy was wrong. Ready? Alright, let's get to it.
Best Picture
Nominations:
- Anora – Alex Coco, Samantha Quan, and Sean Baker, producers
- The Brutalist – Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, and Brady Corbet, producers
- A Complete Unknown – Fred Berger, James Mangold, and Alex Heineman, producers
- Conclave – Tessa Ross, Juliette Howell, and Michael A. Jackman, producers
- Dune: Part Two – Mary Parent, Cale Boyter, Tanya Lapointe, and Denis Villeneuve, producers
- Emilia Pérez – Pascal Caucheteux and Jacques Audiard, producers
- I'm Still Here – Maria Carlota Bruno and Rodrigo Teixeira, producers
- Nickel Boys – Dede Gardner, Jeremy Kleiner, and Joslyn Barnes, producers
- The Substance – Coralie Fargeat, Tim Bevan, and Eric Fellner, producers
- Wicked – Marc Platt, producer
Who should really win: None of the above
Explanation: Honestly, I think this year's best picture lineup is a fairly poor selection. Anora was fine, Dune is fine. But arguably the best films this year, the likes of Saturday Night (my personal favourite) and A Real Pain, weren't even nominated. Of the above, I would probably go for Anora, but it's not a ringing endorsement.
Best Director
Nominations:
Who should really win: None of the above
Best Director
Nominations:
- Sean Baker – Anora
- Brady Corbet – The Brutalist
- James Mangold – A Complete Unknown
- Jacques Audiard – Emilia Pérez
- Coralie Fargeat – The Substance
Who should really win: None of the above
Explanation: Once again, I have no strong feeling about the direction in any of these films, but the consensus seems to be forming around the Brutalist, more for its cinematography than anything genuinely related to direction.
Best Actor
Nominations:
- Adrien Brody – The Brutalist as László Tóth
- Timothée Chalamet – A Complete Unknown as Bob Dylan
- Colman Domingo – Sing Sing as John "Divine G" Whitfield
- Ralph Fiennes – Conclave as Cardinal Thomas Lawrence
- Sebastian Stan – The Apprentice as Donald Trump
Who should really win: Timothée Chalamet – A Complete Unknown as Bob Dylan
Explanation: This is a close one to call. I think Chalamet deserves it. For an actor that has been so hyped, his recent roles are beginning to show true range, and his portrayal of Bob Dylan might just be his most impressive showing yet.
Best Actress
Nominations:
Who should really win: Mikey Madison – Anora as Anora "Ani" Mikheeva
Best Actress
Nominations:
- Cynthia Erivo – Wicked as Elphaba Thropp
- Karla Sofía Gascón – Emilia Pérez as Emilia Pérez / Juan "Manitas" Del Monte
- Mikey Madison – Anora as Anora "Ani" Mikheeva
- Demi Moore – The Substance as Elisabeth Sparkle
- Fernanda Torres – I'm Still Here as Eunice Paiva
Who should really win: Mikey Madison – Anora as Anora "Ani" Mikheeva
Explanation: I'll go along with this one. Anora has really caught something in Hollywood, and a lot of that comes down to Mikey Madison's performance. Sympathetic, layered, a genuine talent.
Best Supporting Actor
Nominations:
Who should really win: Kieran Culkin – A Real Pain as Benji Kaplan
Best Supporting Actor
Nominations:
- Yura Borisov – Anora as Igor
- Kieran Culkin – A Real Pain as Benji Kaplan
- Edward Norton – A Complete Unknown as Pete Seeger
- Guy Pearce – The Brutalist as Harrison Lee Van Buren Sr.
- Jeremy Strong – The Apprentice as Roy Cohn
Who should really win: Kieran Culkin – A Real Pain as Benji Kaplan
Explanation: Another one I agree with. A Real Pain was one of the better films of 2024, and Culkin's performance was for me the single best across all categories this year.
Best Supporting Actress
Nominations:
- Monica Barbaro – A Complete Unknown as Joan Baez
- Ariana Grande – Wicked as Galinda "Glinda" Upland
- Felicity Jones – The Brutalist as Erzsébet Tóth
- Isabella Rossellini – Conclave as Sister Agnes
- Zoe Saldaña – Emilia Pérez as Rita Mora Castro
Who should really win: Ariana Grande – Wicked as Galinda "Glinda" Upland
Explanation: I know, I'm surprised by this pick as well. I'm not a huge Wicked fan, and I'm not a huge Ariana fan, but I really can't deny that she absolutely nailed this role. I underestimated her comedic talents.
Best Original Screenplay
Nominations:
Who should really win: A Real Pain – Jesse Eisenberg
Best Original Screenplay
Nominations:
- Anora – Sean Baker
- The Brutalist – Brady Corbet and Mona Fastvold
- A Real Pain – Jesse Eisenberg
- September 5 – Moritz Binder and Tim Fehlbaum; co-written by Alex David
- The Substance – Coralie Fargeat
Who should really win: A Real Pain – Jesse Eisenberg
Explanation: Unpopular opinion. I like Anora, I thought it was an impactful movie, well made, well written. I think A Real Pain has more to say and says it better.
Best Adapted Screenplay
Nominations:
Who should really win: No strong opinion
Best Adapted Screenplay
Nominations:
- A Complete Unknown – James Mangold and Jay Cocks
- Conclave – Peter Straughan
- Emilia Pérez – Jacques Audiard; in collaboration with Thomas Bidegain, Léa Mysius, and Nicolas Livecchi
- Nickel Boys – RaMell Ross and Joslyn Barnes
- Sing Sing – Screenplay by Greg Kwedar and Clint Bentley; story by Greg Kwedar, Clint Bentley, Clarence Maclin, and John "Divine G" Whitfield
Who should really win: No strong opinion
Explanation: One could go either way on these nominees. I think the Academy will go for Nickel Boys for the social commentary.
So there you have it, The Ephemeric's picks for the year. Enjoy the Oscars tonight, and when the results go as predicted, remember that you heard it here first!
So there you have it, The Ephemeric's picks for the year. Enjoy the Oscars tonight, and when the results go as predicted, remember that you heard it here first!
Sunday, 23 February 2025
Hello and welcome back to 2025's final post from the Hot List. This week we will be looking at the most exciting new movies set to hit the big screen in 2025, after the cutoff point for this year's awards season.
I often say that cinema is a funny medium, in that you can typically predict success with far greater ease than other mediums. If you look back at my previous previews you will see I can often tell the big awards contenders more than a year in advance. Partly this comes down to a certain predictable stagnancy present in the industry, sure, but also because this, more than many industries, is a medium where talent counts for a lot. Combine a good filmmaker with a good writer and cast, and they will rarely miss.
This time last year, however, I said that 2024 looked set to be an uncharacteristically unpredictable year. Looking back, this prediction of unpredictability proved to be accurate. Partly, this is because 2024 was, if we're being honest, quite a weak year in film. There were few noteworthy surprises, and most of the expected big hitters ended up disappointing. For 2025, I don't see the same problem. There is some big talent coming back to the big screen this year, and more than a few projects that seem genuinely fresh and interesting. I predict that 2025 will be a stronger year for cinema, and with the below list I have fine tuned this down to a rundown of the best of the best.
So without further delay, the key films to keep an eye on in the coming year (trailers linked in the title where available), starting with number 15:
15. The Roses
First up we have The Roses, a reimagining of the 1989 Danny DeVito black comedy. This new version comes from Jay Roach, a director once best known for silly (but often good) comedies like Austin Powers and Meet the Parents, more recently turned hard-hitting political filmmaker with titles such as Trumbo and Bombshell to his name. The Roses is a satirical black comedy-drama that delves into the unraveling of a seemingly perfect marriage. Benedict Cumberbatch and Olivia Colman star as Theo and Ivy Rose, a couple whose idyllic facade begins to crumble when Theo's professional life takes a downturn, igniting deep-seated competition and resentment. As their relationship deteriorates, the film explores the lengths to which each will go in a battle of wills.
Supported by an exciting cast including Kate McKinnon, Andy Samberg, Ncuti Gatwa, and Zoë Chao, The Roses is completed filming in summer 2024, and is expected to release in the second half of the year.
Release Date: TBA 2025
14. Deliver Me From Nowhere
Next we have this year's musical biopic, with the added twist that it actually looks pretty good. Deliver Me From Nowhere is the upcoming biographical drama directed by Scott Cooper, chronicling the creation of Bruce Springsteen's seminal 1982 album, Nebraska.
The film stars Jeremy Allen White as Springsteen (pitch perfect casting in my opinion), capturing the raw and intimate process of recording the album solo on a four-track recorder in his New Jersey home. The ensemble cast includes Jeremy Strong as manager Jon Landau, Paul Walter Hauser as engineer Mike Batlan, and Stephen Graham as Douglas Springsteen, Bruce's father.
Notably, Springsteen and Landau are actively involved in the production, ensuring authenticity in the portrayal of this pivotal moment in music history. Filming commenced in October 2024, with a release expected this summer.
Release Date: Summer 2025
13. Caught Stealing
A new film from director Darren Aronofsky is always a cinematic event, and in 2025 we have Caught Stealing, his first picture since 2022's The Whale.
This latest is a new American crime thriller starring Austin Butler as Hank Thompson, a former baseball player who becomes entangled in New York City's criminal underworld during the 1990s. The impressive ensemble cast includes Zoë Kravitz, Regina King, Matt Smith, Liev Schreiber, and Bad Bunny.
Based on Charlie Huston's novel, who also adapted the screenplay, the story delves into themes of survival and moral ambiguity. The film is produced by Columbia Pictures, slated for release on August 29, 2025.
Release Date: August 2025
12. Friendship
This one should be a treat for fans of offbeat comedy and surreal humour. Friendship is an upcoming American comedy film directed by Andrew DeYoung, marking his feature directorial debut.
The film stars Tim Robinson, of I Think You Should Leave fame, as Craig Waterman, a suburban father whose life is upended by the arrival of his charismatic new neighbor, Austin Carmichael, portrayed by Paul Rudd. As Craig becomes increasingly infatuated with Austin, his attempts to forge a meaningful adult friendship lead to unexpected and humorous consequences, threatening to unravel both their lives.
Friendship premiered at the Toronto International Film Festival on September 8, 2024, as part of the Midnight Madness program, where it garnered positive reviews for its sharp humor and poignant exploration of male relationships. The film is slated for a theatrical release on May 9, 2025.
11. Train Dreams
Train Dreams is a new American drama film and directorial debut for Clint Bentley, adapted from Denis Johnson's 2011 novella.
The film stars Joel Edgerton as Robert Grainier, a logger in the early 20th-century American Northwest, whose life is marked by profound personal loss and the relentless march of industrial progress. Felicity Jones portrays his wife, Gladys, with supporting roles by Kerry Condon, William H. Macy, and Clifton Collins Jr. The narrative delves into themes of isolation, transformation, and the human connection to nature.
Premiering at the 2025 Sundance Film Festival, Train Dreams received critical acclaim for its evocative storytelling and Edgerton's compelling performance. The film was subsequently acquired by Netflix for distribution, with a wide release expected in the second half of 2025.
Release Date: TBA 2025
Unpopular opinion, but I was fairly underwhelmed by the first Knives Out movie. I appreciated what it was trying to do, but felt it was neither campy enough for a laugh, nor compelling enough for a good mystery film. The second, however, Glass Onion, was deliciously good fun. So it is with anticipation that I await the 2025 release of Wake Up Dead Man: A Knives Out Mystery.
This is the anticipated third installment in Rian Johnson's acclaimed mystery series, featuring Daniel Craig reprising his role as the astute detective Benoit Blanc. Set to premiere on Netflix in fall 2025, the film boasts a typically star-studded ensemble cast, including Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, and Thomas Haden Church.
While specific plot details remain under wraps, a first-look image reveals Blanc alongside O'Connor's character in a dimly lit church, hinting at a mystery imbued with religious undertones. The title, inspired by a U2 song, suggests themes of seeking salvation and confronting apocalyptic challenges.
Release Date: Fall 2025
9. Michael
Now we have a biopic that was as inevitable as it will surely be controversial. Michael is an upcoming American biographical musical drama chronicling the life of the legendary entertainer Michael Jackson. The film aims to provide an in-depth portrayal of Jackson's complex journey, from his early days with the Jackson 5 to his unprecedented solo career and personal challenges, yes, his legal troubles included.
A decision which is certain to turn heads is the casting of the man himself. Michael is set to be played by Michael's real life nephew, Jaafar Jackson, in his first ever big screen roll. It's a bold choice for what is likely to be a very big release. But make no mistake, this is no family-led hagiography, and the lead actor aside, there is some real bona fide Hollywood star power behind this, from director Antoine Fuqua, best known for the critically acclaimed film Training Day, to the oscar nominated screenwriter John Logan, which films such as Gladiatior, The Aviator and Hugo to his name.
The studio clearly has high hopes for Michael, with an awards-friendly release date scheduled for October 3, 2025.
Release Date: October 2025
"Better late than never" I suppose is the how the saying goes. The DC Cinematic Universe was a mess right from the start, a lazy attempt to replicate the success of Marvel without taking the time to lay the groundwork or put in place a worthwhile vision to justify the mega franchise's existence. It should have been put out of its misery years ago.
Well, after a decade of consistently panned releases, DC have finally decided to do something about it, with the reboot that we were all hoping for. The first step is 2025's Superman, a reimagining of, you know who. This rebooted Man of Steel, and indeed the refreshed DCU as a whole, comes courtesy of James Gunn, the creator of perhaps Marvel's best cinematic product to date, The Guardians of the Galaxy. So the DCU would appear to be in good hands, now we just have to hope that the powers that be let Gunn be Gunn and imbue this new start with the type of energy and adventure for which he is known.
The title role will be played by up and comer David Coronswet, with a supporting cast that includes the wonderful Rachel Brosnahan, Nicholas Hoult and Nathan Fillion. Superman releases in July. Fingers crossed they get it right this time.
Release Date: July 2025
7. Marty Supreme
Coming back down to Earth, we have Marty Supreme, an upcoming American sports drama directed by Josh Safdie and co-written with Ronald Bronstein, best known for their previous collaboration on the really-quite-good 2019 film, Uncut Gems.
The film stars Timothée Chalamet as Marty, a character loosely inspired by professional table tennis player Marty Reisman. Set in the 1950s, the narrative delves into the vibrant ping pong subculture of New York City, exploring themes of ambition and the pursuit of excellence. The ensemble cast includes Gwyneth Paltrow, Tyler, the Creator, Penn Jillette, Kevin O'Leary, Abel Ferrara, and Fran Drescher.
Principal photography commenced in New York City on September 23, 2024, with a very awards-friendly scheduled release date of December 25, 2025.
Release Date: December 2025
6. One Battle After Another
Another Hollywood heavy hitter coming up, with the latest film from director Paul Thomas Anderson, a man with a frankly absurd 11 Oscar nominations without a win.
One Battle After Another is is an adaptation of Thomas Pynchon's 1990 novel Vineland, updated to a contemporary setting. The story centers on a burnt-out hippie navigating life in Ronald Reagan's dystopian America, intertwining with themes of federal prosecution, underground organizations, and cultural references to government acronyms, UFOs, and TV cults. Anderson's adaptation is rumored to blend elements from 1980s films like Something Wild and Repo Man.
Slated for release on August 8, 2025, by Warner Bros. Pictures. The film features a star-studded cast, including Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, and Benicio del Toro. Notably, it marks Anderson's first collaboration with DiCaprio. As anticipation builds, One Battle After Another is expected to make its mark as a high-action, star-studded film, blending Anderson's distinctive storytelling with Pynchon's complex narrative.
Never say never. 23 years after the release of the brilliant 28 Days Later, written by the legendary Alex Garland and directed by the equally legendary Danny Boyle, we are getting a proper sequel with 28 Years Later.
True, we did get the forgettable 28 Weeks Later back in 2007. The difference this time is that both Garland and Boyle are returning, making 28 Years Later a proper sequel in a way that Weeks never was.
The film features a cast including Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes. The narrative unfolds nearly three decades after the initial Rage Virus outbreak, focusing on a group of survivors residing on a quarantined island in Britain. When one member ventures to the mainland, they uncover new horrors and secrets. Notably, while Cillian Murphy, star of the original "28 Days Later," does not reprise his role as Jim, he serves as an executive producer and is slated to appear in future projects within this new trilogy.
28 Years Later is set to release in June 2025.
Release Date: June 2025
4. Highest 2 Lowest
Next up, the latest Spike Lee joint. Highest 2 Lowest is a crime thriller, serving as an English-language reinterpretation of Akira Kurosawa's 1963 film High and Low.
The narrative centers on a high-stakes kidnapping, exploring themes of class disparity and moral dilemmas, resonating with contemporary societal issues.
The film stars Denzel Washington, Jeffrey Wright, Ice Spice, and A$AP Rocky, with Rocky taking on the main role, as confirmed by Lee. This project marks the fifth collaboration between Lee and Washington, their most recent being Inside Man. The film is slated for a theatrical release by A24 in the summer of 2025.
Release Date: Summer 2025
3. Frankenstein
On paper, this one would seem to be a match made in heaven. Frankenstein is a new adaptation of the Mary Shelley novel, this time brought to us by the master of heavily stylised gothicism, Guillermo del Toro.
The cast of this new adaptation features Oscar Isaac as Victor Frankenstein and Jacob Elordi as Frankenstein's monster. The ensemble cast also includes Mia Goth, Christoph Waltz, Felix Kammerer, Lars Mikkelsen, Charles Dance, and Ralph Ineson.
Few filmmakers have an eye for a "creature feature" like del Toro. Frankenstein is more or less the father of the genre, and I can think of no one better to realise the mix of horror, drama, and philosophical inquiry into the nature of creation and humanity. This is slated for release on Netflix in November 2025.
Release Date: November 2025
2. Klara and the Sun
This is one for all the readers out there. Klara and the Sun is an upcoming adaptation of the acclaimed Kazuo Ishiguro novel of the same name.
This adaptation is directed by Taika Waititi, whose satirical sensibilities make for a perfect match with the speculative dystopian themes of the source material, while the screenplay is penned by Dahvi Waller, with Ishiguro serving as an executive producer. The story centers on Klara, an Artificial Friend designed to alleviate loneliness in teenagers, who becomes determined to save the human family she resides with from heartbreak.
The cast includes Jenna Ortega, Amy Adams, Natasha Lyonne, and Steve Buscemi. As of now, a specific release date has not been announced, but the film is expected to premiere in late 2025.
Release Date: TBA 2025
1. The Running Man
And lastly, we have the return of Edgar Wright, a filmmaker who has moved far beyond schlocky comedies to become a director of some renown with his most recent releases Baby Driver and Last Night in Soho. This lastest, The Running Man, is a fresh adaptation of Stephen King's 1982 novel.
Set in a dystopian 2025, the story centers on a game show called "The Running Man," where contestants are pursued by lethal Hunters across the globe for a chance to win substantial monetary rewards. The narrative explores themes of societal decay, media manipulation, and the human will to survive.
The cast stars Glen Powell as Ben Richards, the protagonist forced into the deadly game show to secure funds for his daughter's medical treatment, with supporting performances from Josh Brolin, Lee Pace, Michael Cera, William H. Macy, Sean Hayes, and Colman Domingo in supporting roles. The Running Man is scheduled for a theatrical release on November 7, 2025.
Release Date: November 2025
So there you have it folks: The 2025 Hot List. I will be back with many more articles in due course, but for now let's make 2025 a great year together.
So there you have it folks: The 2025 Hot List. I will be back with many more articles in due course, but for now let's make 2025 a great year together.
Sunday, 16 February 2025
Welcome back to The Ephemeric's 2025 Hot List. This week we will be having a look at the most exciting new music due for release in the coming year.
If music be the food of love, prepare for a 15 course tasting menu extravaganza, with the extra cheese supplement. Whether you're a die-hard fan, a casual listener, or somewhere in between, prepare to be inspired, surprised, and moved by the power of music in its ever-evolving glory. Tastes may differ, but if you start your 2025 musical adventure off here, you won't go far wrong.
So without further ado, here is our list of the top albums to keep an eye on in 2025, starting with number 15:
15. Good Neighbours (New band)
So without further ado, here is our list of the top albums to keep an eye on in 2025, starting with number 15:
15. Good Neighbours (New band)
Starting off with a new band for 2025, east London indie-pop duo Good Neighbours, comprising Scott Verrill and Oli Fox, have been making waves following the release of their self-titled debut EP last year.
Following their debut headline show in November 2023, Good Neighbours have rapidly ascended the music scene, performing at major festivals like Reading & Leeds, Latitude, Boardmasters, and All Points East. Their dynamic soundscape and engaging performances have solidified their status as a rising force in the indie music landscape, especially with viral hits like Home and Keep it Up.
Now a full debut LP is in production, and expected to drop some time in 2025. We will be watching closely for this one.
Release Date: TBD 2025
14. the xx
It feels like we’ve been saying this for a long time, but The xx are back in the studio, crafting their highly anticipated, as yet untitled, fourth album. Fifteen years on from The xx's debut and the former indie darlings and firmly embedded themselves as global superstars, with three chart topping albums (more if you count the outstanding solo work of Jamie xx) that seem to get better and better with each release.
Following individual solo ventures, the trio—Romy, Oliver Sim, and Jamie xx—have reunited. Fans can look forward to an album that reflects both their signature style and the diverse influences they’ve embraced during their time apart.
We don't have an album name or release date, so I will just leave you with their best track, On Hold, as a reminder for how good these guys can be. I can't wait for this comeback. While details are few and far between at the moment, there’s no doubt that when (if) this drops in 2025, it will be one of the most hyped albums of the year.
Release Date: TBD 2025
13. LCD Soundsystem
LCD Soundsystem is set to release their highly anticipated fifth studio album in 2025, marking their first full-length project since 2017’s American Dream.
The band, led by James Murphy, are best known for hits such as All My Friends and Dance Yrself Clean. With respect to the new album, they have so far released the one single, X-Ray Eyes, co-written with Al Doyle and Nancy Whang, offering a glimpse into an evolving, more funk-based sound.
While the album remains untitled and a specific release date has not been announced, Murphy has confirmed that the band is actively working on it between live performances. Fans can look forward to experiencing the new material during their upcoming U.S. tour in March through May 2025, with European festival appearances, including Primavera Sound Barcelona, slated for June.
Release Date: Summer 2025
12. "Everyone Says Hi" by Everyone Says Hi (New band)
Three picks in, and so far it’s all a bit light on details, but for this next one we can get a little more specific. Everyone Says Hi are a new self-styled “supergroup” featuring ex members of Kaiser Chiefs, The Kooks, Dead 60s and Howling Bells.
Their self titled debut album releases this month, delivering a collection of ten finely-honed tracks that blend polished vintage pop with modern indie sensibilities. Standout singles like Brain Freeze and Lucky Stars showcase the group’s knack for crafting catchy, anthemic tunes.
It’s an exciting start for the new band, and one that sees them high on many lists for the hotly anticipated musical releases of 2025.
Release Date: February 2025
11. "For Melancholy Brunettes (& Sad Women)" by Japanese Breakfast
Coming in March, we have the new album from Japanese Breakfast, the indie pop project led by singer-songwriter Michelle Zauner, known for tracks such as Be Sweet.
For Melancholy Brunettes (& Sad Women) signifies a shift from the bright extroversion of their previous work, Jubilee, delving into themes of desire, temptation, and melancholy. The lead single Orlando in Love offers an exploration of love’s complexities, while the follow-up track Mega Circuit examines contemporary masculinity.
To support the album, Japanese Breakfast will embark on a tour beginning with performances at the 2025 Coachella Valley Music and Arts Festival, followed by dates across the United States, Canada, the United Kingdom, and Europe, concluding on September 9 in Minneapolis.
Release Date: March 2025
10. "Song of the Earth" by Dirty Projectors
It has been a challenging few years for Dirty Projectors, the Brooklyn-based indie band best known for unique and highly diverse musical stylings with tracks like Swing Lo Magellan and Useful Chamber. The band has faced high profile band member bust ups, departures, and the integration of new personnel. Now a full band again, Dirty Projectors are set to release their ambitious new album, Song of the Earth, on April 4, 2025.
Marking another creative left turn for the band, this is a largely orchestral production, inspired by Gustav Mahler’s Das Lied von der Erde, exploring themes of nature and human experience. The project features collaborations with the Berlin-based chamber orchestra, Stargaze, and artists such as Phil Elverum, Steve Lacy, and Tim Bernardes.
The lead single Uninhabitable Earth, Paragraph One adapts the opening of David Wallace-Wells’ book The Uninhabitable Earth, reflecting on climate change and its immediate impacts. If we can count on this band for one thing, it is that the work will be creatively interesting, and unashamedly unique. .
Release Date: April 2025
9. "Sinister Grift" by Panda Bear
Panda Bear is an artist who needs no introduction in the indie music scene. The solo project of Animal Collective’s Noah Lennox, Panda Bear has since gone on to become a major name in and of itself, producing critically acclaimed solo work and collaborating with some of the biggest names in music, such as Daft Punk.
Panda Bear’s newest album, Sinister Grift, is set to release this month. This marks his first solo effort since 2019’s Buoys. Recorded at his Estudio Campo in Lisbon, Portugal, the album was co-produced with his Animal Collective bandmate Josh “Deakin” Dibb. Sinister Grift features collaborations with artists such as Cindy Lee, Spirit of the Beehive’s Rivka Ravede, and contributions from all members of Animal Collective.
The first two singles released so far, Defence and Ferry Lady typify the artist’s distinct, experimental neo-psychedelic style, or what I would term “distorted nostalgia”. Certainly, this will be one to look out for when it releases.
Release Date: February 2025
8. "People Watching" by Sam Fender
Going a bit more mainstream for the next one. Sam Fender is set to release his third studio album, People Watching, this month.
This album, co-produced with Markus Dravs and Adam Granduciel of The War on Drugs, was crafted over three years in London and Los Angeles. The lead single People Watching gives you a pretty good idea of what to expect. Sam Fender is often likened to a young Springsteen for his larger than life sounds and his focus on working class life and disaffected youth. Some genres are just timeless, and Fender delivers with a gusto that few can match.
Fender’s star has been on the rise for a number of years now, and with this latest album there is the expectation of very big things indeed.
Release Date: February 2025
While perhaps not as much a household name as she should be, Neko Case has shown herself to be one of the finest songwriters of her time through her solo work, and work with indie band New Pornographers.As comfortable with infectiously catchy pop as with the delicate and introspective, known for singles such as I Wish I Was the Moon and her stunning cover of Roky Erickson’s Be and Bring Me Home, her music has an effortlessly timeless quality to it.
Neko Case is set to release her highly anticipated eighth studio album in 2025, marking her first new music since 2018’s Hell-On. While the album’s title and exact release date remain under wraps, Case has revealed that it will feature collaborations with violinist Tom Hagerman of DeVotchKa and members of the Colorado Symphony.
Release Date: Late 2025
6. "SABLE fABLE" by Bon Iver
One for the indie folk fans out there. Bon Iver, the musical project led by Justin Vernon, is set to release their fifth studio album, SABLE, fABLE, in April.
This album marks their first full-length release since 2019’s i,i and serves as a continuation of the 2024 SABLE EP, the highlight of which was single Speyside, essentially as the opening of the new record. SABLE fABLE explores themes of transformation and renewal, transitioning from the introspective tones of SABLE, to a more vibrant and hopeful soundscape. The album features collaborations with artists such as Dijon, Flock of Dimes, and Danielle Haim.
The sound of Bon Iver singing without Vernon’s trademark falsetto takes some getting used to, but what we have heard so far is damn good, and we look forward to the rest of the album releasing this spring.
Release Date: April 2025
5. The Shins
Is it indie? Is it dad-rock at this stage? Call it what you will, but The Shins are one of the finest rock bands in the business, and they have a new album scheduled for release in 2025.
At the time of writing, details are still thin on the ground. We still don’t have an album title, for example. But frontman James Mercer has confirmed this to be in active production, with 17 new songs said to have been recorded.
While a specific release date has not been announced, fans can look forward to a blend of the band’s signature indie rock sound, best demonstrated by tracks like New Slang, Simple Song, and Australia.
Release Date: TBD 2025
4. Braxe + Falcon (New band)
One of the most exciting new projects in music. Braxe + Falcon is a new collaboration of legendary French producers Alan Braxe and DJ Falcon.
Their work, deeply rooted in '70s disco and pioneering production techniques, showcases a reverence for classic sounds while embracing modernity. 2022 saw the release of the duo's first EP, Step By Step, a fantastic that reflects a seamless blend of timeless music and contemporary flair, featuring the unmistakable vocals of Panda Bear, lead vocalist of Animal Collective and highly successful solo artist in his own right.
The EP was well received, generating hype for what was to come next. A smattering of additional singles and remixes have followed to similar praise, but we're all really just waiting now for the inevitable full blown LP, confirmed recently to exist in a Reddit AMA. If, as expected, this sees the light of day in 2025, it will be one of the biggest releases in electronic music for the year.
Release Date: TBD 2025
3. "The Human Fear" by Franz Ferdinand
This next one is a big hitter indeed. This is the return of Franz Ferdinand with their sixth studio album, The Human Fear.
It’s a band that really needs no introduction. Take Me Out is about as iconic a track as you will find, and yet it only scratches the surface of their discography.
Releasing this month, the new album marks a significant evolution in the band’s sound and lineup. This 11-track album, will be the first full-length project to feature guitarist Dino Bardot and drummer Audrey Tait, who replaced original member Paul Thomson in 2021. The lead single Audacious exemplifies the band’s signature blend of upbeat, guitar-driven melodies with trademark vintage swagger and humour. .
Release Date: February 2025
2. Paul McCartney
OK, I’ll admit, I don’t have much to go on with this one. But Sir Paul McCartney says he is working on an album for release in 2025, and that’s good enough to make my list.
I won’t even bother to say the man needs no introduction, because, come on, It’s Paul McCartney. I won’t insult your intelligence by linking some Beatles or some of his solo stuff because, seriously, it’s Paul McCartney. Global treasure.
Production on the new album was expected to be completed upon conclusion of his tour at the end of 2024 (his surprise appearance in New York this month notwithstanding), which means we should start to hear some new material very soon.
Release Date: TBD 2025
1. Passion Pit
But this year's number one most hotly anticipated album is the return of Passion Pit. Once again, details are scarce, but clips have started to emerge of new music being played at his recent shows, along with mention of a potential world tour in 2025, sparking hot rumours that a new album will not be far behind.
You may know them from Sleepyhead, or maybe Lifted Up (1985) or Take a Walk. You can’t go wrong. Passion Pit’s sound is one of extremes, from high euphoria to introspective meditations, but it’s a sound like no other, a celebration of life and human emotion.
So it’s a bit speculative, but I’m counting it because a new Passion Pit album would quite literally make my year.
Release Date: Hopefully 2025
So there you have it folks: 2025 in music. Tune in next week for this year's final Hot List, where we look at the most exciting new movies in 2025.
Saturday, 1 February 2025
My love affair with the theatre is long and torrid. But between my move to Zurich and certain family expansion projects, 2025 promises to be a particularly difficult year to get out to a show. Still, a boy can dream, and of course I can't disappoint my loyal readers. So I have still done the homework, dug through the depths of the artistic underground and found for you a list of the year's most exciting productions.
So here it is, our list of the top 10 theatrical productions to keep an eye on in 2025, perhaps with a slight London and Zurich bias, starting with number 10:
10. "The Invention of Love" by Tom Stoppard, at the Hampstead Theatre
So here it is, our list of the top 10 theatrical productions to keep an eye on in 2025, perhaps with a slight London and Zurich bias, starting with number 10:
10. "The Invention of Love" by Tom Stoppard, at the Hampstead Theatre
Let's begin with a returning legend of the stage, Tom Stoppard. The Invention of Love is a revival of his 1997 portrayal of the life of poet and classicist A.E. Housman as he reflects on unrequited love and his scholarly pursuits.
This new production comes courtesy of the Hampstead Theatre, the headline feature being the casting of another stage legend in Sir Simon Russell Beale, one of the great stage actors of the modern era. Renowned for its heavy literary references, the original New York premiere famously provided a 30-page booklet to audiences to allow the necessary background. Not one for casual viewing then.
The Invention of Love will run through January, so grab tickets while you still can.
9. "Dear England" by James Graham, at the National Theatre
Another revival, but this time not going quite so far back in time. James Graham is one of the great playwrights of his generation, and Dear England proved to be something of a surprise hit when it first premiered back in 2023.
Ostensibly a narrative of the tenure of England manager Gareth Southgate, but Dear England's real substance is as an exploration of modern masculinity and leadership, depicted with rapturous energy and a keen understanding of the cultural impact that sport can have on a nation
This new revival features a modified final act to cover the events of Euro 2024 and the final years of Southgate's England. Dear England returns to the stage from March until May.
8. "Sing Street" by Gary Clark, John Carney, and Enda Walsh, at Lyric Hammersmith
An adaptation of the excellent 2016 musical film. Sing Street transfers to Lyric Hammersmith, following an acclaimed, albeit truncated-by-pandemic run off-Broadway, and a sold-out run in Boston.
Set in 1982 Dublin, the story follows 16-year-old Conor as he forms a band to escape his troubled home life and impress a mysterious girl named Raphina. The production features a book by Enda Walsh and music and lyrics by Gary Clark and John Carney. Audiences can anticipate a heartfelt coming-of-age narrative enriched with the vibrant new wave sounds of the 1980s.
The film was a wonderful, underrated thing. If the stage adaptation is half as good then this is definitely one to keep an eye on. Sing Street will run through the summer.
The Zurich Opera House is set to premiere Beat Furrer's latest opera, "Das grosse Feuer" ("The Great Fire").
This opera, commissioned by the Opernhaus Zürich, is based on Sara Gallardo's 1971 novel "Eisejuaz," with a libretto by Austrian writer Thomas Stangl. The narrative centers on Eisejuaz, a shaman and leader of an indigenous South American tribe, whose life is upended by colonization and missionary efforts. Furrer's composition delves into themes of cultural displacement and existential struggle, marking his first large-scale choral opera.
The Great Fire opens in March and will run through to June.
6. "East is South" by Beau Willimon at the Hampstead Theatre
The Hampstead Theatre's next production will be the latest play of Beau Willimon (best known for House of Cards), East is South.
The production delves into the ethical dilemmas posed by advanced artificial intelligence, centering on 'Logos,' a sophisticated AI nearing consciousness. Following a security breach, two coders undergo intense interrogation to uncover the truth behind the incident.
Timely subject matter combined with seasoned creative talent should make this an early highlight of 2025 theatre. East is South will run through the spring, starting in February.
5. "Les Misérables: 40th Anniversary Arena Spectacular" by Claude-Michel Schönberg and Alain Boublil, touring globally
I'm never going to pass up an opportunity for some Les Misérables. This year marks the 40th anniversary of the world famous stage musical, and to celebrate, a grand "arena spectacular" has been produced, featuring the largest ever orchestra in a Les Mis production, and with a rotating cast featuring some of the most acclaimed actors to play these characters on stage in recent years.
It should be noted that this is more a concert of the music, rather than a full theatrical staging. So perhaps not ideal if it is your first time. But for long time fans of the music, this is going to be a good night out.
The arena spectacular is touring globally throughout 2025.
4. "A Moon for the Misbegotten" by Eugene O'Neill, at the Almeida Theatre
A Moon for the Misbegotten is the 1957 play by Eugene O'Neill. Set on a barren Connecticut farm, the narrative delves into the intertwined lives of Josie Hogan and James Tyrone Jr., exploring themes of reality and illusion.
This new production comes from the Almeida Theatre and the Olivier winning director Rebecca Frecknall, featuring a star studded cast of the Golden Globe winning Ruth Wilson and Oscar nominated Michael Shannon.
World class talent on a world class stage, reviving a celebrated production. This will be a hot ticket when it releases in June.
3. "Stereophonic" by David Adjmi and Will Butler, at the Duke of York's Theatre
One of the bigger tickets in London for 2025. Stereophonic is the highly anticipated West End transfer of the hit Broadway production, which went on to break records and become the most Tony Award nominated theatrical production of all time.
Written by David Adjmi and featuring original music by Will Butler of Arcade Fire, the production delves into the intense dynamics of a 1976 rock band on the brink of superstardom. Loosely based on the true story of the band Fleetwood Mac, audiences are invited into the recording studio to witness the band's creative struggles and interpersonal tensions, capturing the volatile essence of artistic collaboration.
The play has garnered significant acclaim, becoming the most Tony-nominated play in history with 13 nominations and securing five wins, including Best Play. The London transfer begins in May.
2. "Here We Are" by David Ives and Stephen Sondheim, at the National Theatre
Stephen Sondheim's final musical, Here We Are, features a book by David Ives and is inspired by two films by Luis Buñuel: The Discreet Charm of the Bourgeoisie and The Exterminating Angel. The production is directed by Joe Mantello.
A surreal and satirical exploration of privilege, social absurdity, and existential dread the story follows a group of wealthy, self-absorbed elites attempting to enjoy a luxurious meal, only to be repeatedly thwarted by bizarre and inexplicable circumstances.
Premiering originally at The Shed in New York City in 2023, the show received critical acclaim and now transfers to London's famous National Theatre in April.
1. "Intimate Apparel" by Lynn Nottage, at the Donmar
And finally, our number 1 pick for 2025 in theatre is none other than the latest production from the brilliant, Pulitzer Prize winning playwright of Sweat, Ruined, and Clyde's, Lynn Nottage.
Her latest play, Intimate Apparel is a drama set in 1905 New York, following Esther, a skilled but lonely African American seamstress who crafts elegant lingerie for both wealthy white women and prostitutes. Despite her success, Esther longs for love and security, exchanging letters with George, a laborer from Panama who promises romance and stability. However, when he arrives, reality falls short of her dreams, leading to heartbreak and betrayal.
Running from June until August at the Donmar, this is one to anticipate.
So there you have it folks: 2025 in theatre. Tune in soon for our next instalment of the Hot List, covering the essential new music coming this year!
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